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Table of Contents

  1. Editorial
  2. Drake Stutesman
  3. pp. 5-6
  4. DOI: https://doi.org/10.13110/framework.55.1.0005
  5. restricted access
  1. The Dream of Memory in Raúl Ruiz’s Memories of Appearances: Life Is a Dream
  2. Andreea Marinescu
  3. pp. 7-31
  4. DOI: https://doi.org/10.13110/framework.55.1.0007
  5. restricted access
  1. Film Propaganda: Triumph of the Will as a Case Study
  2. Alan Sennett
  3. pp. 45-65
  4. DOI: https://doi.org/10.13110/framework.55.1.0045
  5. restricted access
  1. The Myth of Enver Hoxha in the Albanian Cinema of Socialist Realism: An Inquiry into the Psychoanalytical Features of the Myth
  2. Ridvan Peshkopia, Skerdi Zahaj, Greta Hysi
  3. pp. 66-82
  4. DOI: https://doi.org/10.13110/framework.55.1.0066
  5. restricted access
  1. Who Is Cuba?: Dispersed Protagonism and Heteroglossia in Soy Cuba/I Am Cuba
  2. Amit Thakkar
  3. pp. 83-101
  4. DOI: https://doi.org/10.13110/framework.55.1.0083
  5. restricted access
  1. Framing a Terrorist: The Politics of Representation in Ici et ailleurs (1970–1974), Four Lions (2010), and Essential Killing (2010)
  2. Ewa Mazierska
  3. pp. 102-120
  4. DOI: https://doi.org/10.13110/framework.55.1.0102
  5. restricted access
  1. Ghosts Haunting the Norwegian House: Racialization in Norway and The Kautokeino Rebellion
  2. Adriana Margareta Dancus
  3. pp. 121-139
  4. DOI: https://doi.org/10.13110/framework.55.1.0121
  5. restricted access
  1. Sojourner Cinema: Seeking and Researching a New Cinematic Category
  2. Jane Mills
  3. pp. 140-164
  4. DOI: https://doi.org/10.13110/framework.55.1.0140
  5. restricted access
  1. Introduction: Marking Political Cinema
  2. Ewa Mazierska
  3. pp. 35-44
  4. DOI: https://doi.org/10.1353/frm.2014.a556145
  5. restricted access