restricted access   Volume 47, Number 5, 2014

Table of Contents

Editorial

Art-Science Is a Conceptual Blend

p. 424

Leonardo Gallery

Sleuthing the Mind

pp. 427-428

Gallery Artists

pp. 429-435

Artists' Articles

An Album in 1,000 Variations: Notes on the Composition and Distribution of a Parametric Musical Work

pp. 437-441

ATRIA: A Sound Installation Exploring the Interface between Art, Science and Technology by Remapping Cardiovascular Development

pp. 443-449

Tangible User Interface Design for Climate Change Education in Interactive Installation Art

pp. 451-456

Color Plates

pp. 457-460

General Articles

“He” Had Me at Blue: Color Theory and Visual Art

pp. 461-465

What’s Wrong with an Art Fake?: Cognitive and Emotional Variables Influenced by Authenticity Status of Artworks

pp. 467-473

General Note

Design and Superconducting Levitation

pp. 474-479

Historical Perspective

The Tragedy of Radical Subjectivity: From Radical Software to Proprietary Subjects

pp. 480-487

Special Section of Leonardo Transactions: Balance-Unbalance

Balance-Unbalance: Art and Environmental Crisis

pp. 489-490

A Balanced Approach to Local and Global Action

p. 491

Art as a Catalyst

p. 492

Red Cross / Red Crescent Climate Centre and Balance-Unbalance: The art! ⋈ climate Project

p. 493

Towards Ecological Autarky

pp. 494-495

Biosphere Soundscapes

pp. 496-497

Birding the Future

pp. 498-499

Hug@ree: An ARTiVIS Experience for Sustainability

pp. 500-501

Anastatica Sensibile – Grounding Interactivity on a Natural Process

pp. 502-503

A Walk in the Woods: Investigating Ethical Design, Ubiquitous Computing and Social Media

pp. 504-505

Catalysts for Change: Creative Practice as an Environmental Engagement Tool

pp. 506-507

Participatory Video and Games for a New Climate

p. 508

Contemporary Climate Change Art as the Abstract Machine: Ethico-Aesthetics and Futures Orientation

pp. 509-510

The Functions of Environmental Art

pp. 511-512

The Changing Boundaries of Knowledge Between Māori Awareness and Western Science

pp. 513-514

Reviews

Art and the Senses ed. by Francesca Bacci and David Melcher (review)

pp. 515-516

Dreams Before Extinction: Naeemeh Naeemaei ed. by Paul Semonin (review)

pp. 516-517

Virtual Modernism: Writing and Technology in the Progressive Era by Katherine Biers (review)

pp. 517-519

Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics by Yuriko Furuhata (review)

pp. 519-520

The Next Thing: Art in the Twenty-First Century ed. by Pablo Baler (review)

pp. 520-521

Molecular Aesthetics ed. by Peter Weibel and Ljiljana Fruk (review)

pp. 521-522

Walking and Mapping: Artists as Cartographers by Karen O’Rourke (review)

p. 522

The Art of Failure: An Essay on the Pain of Playing Video Games by Jesper Juul (review)

pp. 522-523

The Great Camouflage: Writings of Dissent (1941–1945) by Suzanne Césaire ed. by Daniel Maximin (review)

pp. 523-524

Storytelling and the Sciences of Mind by David Herman (review)

pp. 524-525

The Grand Old Lady of Modern Art: Marcel Duchamp’s Nude Descending a Staircase by Isabelle Fleuriet (review)

pp. 525-256

Leonardo Reviews On-Line

p. 526

Leonardo Network News

pp. 527-528

Endnote

Seeking a Job, Renaissance Style

pp. 529-531