1. Art-Science Is a Conceptual Blend
  2. Jack Ox
  3. p. 424
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  1. Sleuthing the Mind
  2. Ellen K. Levy
  3. pp. 427-428
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  1. Gallery Artists
  2. Robert Beck, Jennifer Bornstein, Suzanne Dikker, Matthias Oostrik, Greg Garvey, Nicole Ottiger, Jane Philbrick, Jill Scott
  3. pp. 429-435
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  1. An Album in 1,000 Variations: Notes on the Composition and Distribution of a Parametric Musical Work
  2. Oliver Bown, Sam Britton
  3. pp. 437-441
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  1. Tangible User Interface Design for Climate Change Education in Interactive Installation Art
  2. Caitilin de Bérigny, Phillip Gough, Majdi Faleh, Erika Woolsey
  3. pp. 451-456
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  1. Color Plates
  2. pp. 457-460
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  1. “He” Had Me at Blue: Color Theory and Visual Art
  2. Barbara L. Miller
  3. pp. 461-465
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  1. What’s Wrong with an Art Fake?: Cognitive and Emotional Variables Influenced by Authenticity Status of Artworks
  2. Stefanie H. Wolz, Claus-Christian Carbon
  3. pp. 467-473
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  1. Design and Superconducting Levitation
  2. Julien Bobroff, François Azambourg, Clémentine Chambon, Veronica Rodriguez
  3. pp. 474-479
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  1. The Tragedy of Radical Subjectivity: From Radical Software to Proprietary Subjects
  2. Carolyn L. Kane
  3. pp. 480-487
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  1. Balance-Unbalance: Art and Environmental Crisis
  2. Ricardo Dal Farra
  3. pp. 489-490
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  1. A Balanced Approach to Local and Global Action
  2. Leah Barclay, Susan Davis
  3. p. 491
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  1. Art as a Catalyst
  2. Nina Czegledy
  3. p. 492
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  1. Red Cross / Red Crescent Climate Centre and Balance-Unbalance: The art! ⋈ climate Project
  2. Ricardo Dal Farra, Pablo Suarez
  3. p. 493
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  1. Towards Ecological Autarky
  2. Michel van Dartel, Anne Nigten
  3. pp. 494-495
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  1. Biosphere Soundscapes
  2. Leah Barclay
  3. pp. 496-497
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  1. Birding the Future
  2. Krista Caballero, Frank Ekeberg
  3. pp. 498-499
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  1. Hug@ree: An ARTiVIS Experience for Sustainability
  2. Mónica Mendes, Pedro Ângelo, Nuno Correia
  3. pp. 500-501
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  1. Anastatica Sensibile – Grounding Interactivity on a Natural Process
  2. Daniela Di Maro, Andrea Bene, Diego Bernini, Simone Bonetti, Giorgio De Michelis, Francesco Tisato, Gianluca Colombo
  3. pp. 502-503
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  1. A Walk in the Woods: Investigating Ethical Design, Ubiquitous Computing and Social Media
  2. Andrea Polli
  3. pp. 504-505
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  1. Catalysts for Change: Creative Practice as an Environmental Engagement Tool
  2. Lisa Chandler, Claudia Baldwin, Megan Marks
  3. pp. 506-507
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  1. Participatory Video and Games for a New Climate
  2. Julie Arrighi, Grady Walker
  3. p. 508
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  1. Contemporary Climate Change Art as the Abstract Machine: Ethico-Aesthetics and Futures Orientation
  2. Roslyn Taplin
  3. pp. 509-510
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  1. The Functions of Environmental Art
  2. Nicolas J. Bullot
  3. pp. 511-512
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  1. The Changing Boundaries of Knowledge Between Māori Awareness and Western Science
  2. Ian Clothier
  3. pp. 513-514
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  1. Art and the Senses ed. by Francesca Bacci and David Melcher (review)
  2. Amy Ione
  3. pp. 515-516
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  1. Dreams Before Extinction: Naeemeh Naeemaei ed. by Paul Semonin (review)
  2. George Gessert
  3. pp. 516-517
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  1. Virtual Modernism: Writing and Technology in the Progressive Era by Katherine Biers (review)
  2. Jan Baetens
  3. pp. 517-519
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  1. Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics by Yuriko Furuhata (review)
  2. Mike Leggett
  3. pp. 519-520
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  1. The Next Thing: Art in the Twenty-First Century ed. by Pablo Baler (review)
  2. Giovanna L. Costantini
  3. pp. 520-521
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  1. Molecular Aesthetics ed. by Peter Weibel and Ljiljana Fruk (review)
  2. Rob Harle
  3. pp. 521-522
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  1. Walking and Mapping: Artists as Cartographers by Karen O’Rourke (review)
  2. Mike Leggett
  3. p. 522
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  1. The Art of Failure: An Essay on the Pain of Playing Video Games by Jesper Juul (review)
  2. Jan Baetens
  3. pp. 522-523
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  1. The Great Camouflage: Writings of Dissent (1941–1945) by Suzanne Césaire ed. by Daniel Maximin (review)
  2. Allan Graubard
  3. pp. 523-524
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  1. Storytelling and the Sciences of Mind by David Herman (review)
  2. Jan Baetens
  3. pp. 524-525
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  1. The Grand Old Lady of Modern Art: Marcel Duchamp’s Nude Descending a Staircase by Isabelle Fleuriet (review)
  2. Kieran Lyons
  3. pp. 525-256
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  1. Leonardo Reviews On-Line
  2. p. 526
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  1. Leonardo Network News
  2. pp. 527-528
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  1. Seeking a Job, Renaissance Style
  2. Paula Findlen, David Carrier
  3. pp. 529-531
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