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In this Issue

Table of Contents

Editor's Note

  1. The Choreographic Composite
  2. Sherril Dodds
  3. pp. 1-3
  4. restricted access

Articles

  1. The Parting Pelvis: Temporality, Sexuality, and Indian Womanhood in Chandralekha’s Sharira (2001)
  2. Royona Mitra
  3. pp. 4-19
  4. restricted access
  1. Tap and Teeth: Virtuosity and the Smile in the Films of Bill Robinson and Eleanor Powell
  2. Margaret Morrison
  3. pp. 20-37
  4. restricted access
  1. The Choreographic Interface: Dancing Facial Expression in Hip-Hop and Neo-Burlesque Striptease
  2. Sherril Dodds
  3. pp. 38-56
  4. restricted access
  1. The Pilates Pelvis: Racial Implications of the Immobile Hips
  2. Sarah W. Holmes
  3. pp. 57-72
  4. restricted access
  1. “Indian Ballerinas Toe Up”: Maria Tallchief and Making Ballet “American” in the Tribal Termination Era
  2. Rebekah J. Kowal
  3. pp. 73-96
  4. restricted access

Review Essays

  1. Choreographing Empathy: Kinesthesia in Performance by Susan Leigh Foster, and: Kinesthetic Empathy in Creative and Cultural Practices ed. by Dee Reynolds and Matthew Reason (review)
  2. Rachel Fensham
  3. pp. 97-104
  4. restricted access
  1. Salsa Crossings: Dancing Latinidad in Los Angeles by Cindy García, and: Salsa World: A Global Dance in Local Contexts, ed. by Sydney Hutchinson (review)
  2. Celeste Fraser Delgado
  3. pp. 105-110
  4. restricted access

Book Reviews

  1. French Moves: The Cultural Politics of le hip hop by Felicia McCarren (review)
  2. Mary Fogarty
  3. pp. 111-114
  4. restricted access
  1. Joan Myers Brown & the Audacious Hope of the Black Ballerina: A Biohistory of American Performance by Brenda Dixon Gottschild (review)
  2. Jill Nunes Jensen
  3. pp. 115-118
  4. restricted access
  1. Dancing Culture Religion by Sam Gill (review)
  2. Michelle T. Summers
  3. pp. 118-120
  4. restricted access
  1. Hermes Pan: The Man Who Danced with Fred Astaire by John Franceschina (review)
  2. Brynn Wein Shiovitz
  3. pp. 120-123
  4. restricted access
  1. Books Received
  3. pp. 124-125
  4. restricted access