1. The Choreographic Composite
  2. Sherril Dodds
  3. pp. 1-3
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  1. The Parting Pelvis: Temporality, Sexuality, and Indian Womanhood in Chandralekha’s Sharira (2001)
  2. Royona Mitra
  3. pp. 4-19
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  1. Tap and Teeth: Virtuosity and the Smile in the Films of Bill Robinson and Eleanor Powell
  2. Margaret Morrison
  3. pp. 20-37
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  1. The Choreographic Interface: Dancing Facial Expression in Hip-Hop and Neo-Burlesque Striptease
  2. Sherril Dodds
  3. pp. 38-56
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  1. The Pilates Pelvis: Racial Implications of the Immobile Hips
  2. Sarah W. Holmes
  3. pp. 57-72
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  1. “Indian Ballerinas Toe Up”: Maria Tallchief and Making Ballet “American” in the Tribal Termination Era
  2. Rebekah J. Kowal
  3. pp. 73-96
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  1. French Moves: The Cultural Politics of le hip hop by Felicia McCarren (review)
  2. Mary Fogarty
  3. pp. 111-114
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  1. Joan Myers Brown & the Audacious Hope of the Black Ballerina: A Biohistory of American Performance by Brenda Dixon Gottschild (review)
  2. Jill Nunes Jensen
  3. pp. 115-118
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  1. Dancing Culture Religion by Sam Gill (review)
  2. Michelle T. Summers
  3. pp. 118-120
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  1. Hermes Pan: The Man Who Danced with Fred Astaire by John Franceschina (review)
  2. Brynn Wein Shiovitz
  3. pp. 120-123
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  1. Books Received
  2. pp. 124-125
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