1. Ithell Colquhoun and Occult Surrealism in Mid-Twentieth-Century Britain and Ireland
  2. Mark S. Morrisson
  3. pp. 587-616
  4. DOI: 10.1353/mod.2014.0068
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  1. I Am Echo: Paula Modersohn-Becker, Rainer Maria Rilke, and the Aesthetics of Stillness
  2. Therese Ahern Augst
  3. pp. 617-640
  4. DOI: 10.1353/mod.2014.0072
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  1. “Crippled by Sight”: Detail in Au bonheur des dames
  2. Caitlin McGrath
  3. pp. 641-664
  4. DOI: 10.1353/mod.2014.0076
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  1. Freeloading in Hobohemia: The Politics of Free Verse in American World War I Periodical Culture
  2. Mark Whalan
  3. pp. 665-688
  4. DOI: 10.1353/mod.2014.0080
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  1. Listening for Class in Ford Madox Ford’s Parade’s End
  2. Seamus O’Malley
  3. pp. 689-714
  4. DOI: 10.1353/mod.2014.0058
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  1. Turning Points: Atonement, Horizon, and Late Modernism
  2. Ana Mitrić
  3. pp. 715-740
  4. DOI: 10.1353/mod.2014.0062
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  1. Unclean Lips: Dirty Words and Henry Roth’s Call It Sleep
  2. Josh Lambert
  3. pp. 741-756
  4. DOI: 10.1353/mod.2014.0066
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  1. The Problem of the Woman’s Bag from the New Woman to Modernism
  2. Emily Ridge
  3. pp. 757-780
  4. DOI: 10.1353/mod.2014.0070
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  1. Impressionism, Naturalism, Symbolism: Trajectories of Anglo-Irish Fiction at the Fin de Siècle
  2. Simon Joyce
  3. pp. 787-803
  4. DOI: 10.1353/mod.2014.0078
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  1. Irish Aestheticism in Fin-de-Siècle Women’s Writing: Art, Realism, and the Nation
  2. Alison Harvey
  3. pp. 805-826
  4. DOI: 10.1353/mod.2014.0056
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  1. George Egerton’s Translocational Subjects
  2. Tina O’Toole
  3. pp. 827-842
  4. DOI: 10.1353/mod.2014.0060
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  1. Modernism and the Magazines: North America
  2. Christopher MacGowan
  3. pp. 843-849
  4. DOI: 10.1353/mod.2014.0064
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  1. Eccentric Objects: Rethinking Sculpture in 1960s America by Jo Applin (review)
  2. Robert Slifkin
  3. pp. 855-857
  4. DOI: 10.1353/mod.2014.0073
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  1. Modernism’s Other Work: The Art Object’s Political Life by Lisa Siraganian (review)
  2. Robin Blyn
  3. pp. 857-859
  4. DOI: 10.1353/mod.2014.0077
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  1. Virginia Woolf and the Materiality of Theory: Sex, Animal, Life by Derek Ryan (review)
  2. Lauren Elkin
  3. pp. 859-860
  4. DOI: 10.1353/mod.2014.0055
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  1. Aesthetic Modernism and Masculinity in Fascist Italy by John Champagne (review)
  2. Andre Furlani
  3. pp. 860-862
  4. DOI: 10.1353/mod.2014.0059
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  1. Modernism and the New Spain: Britain, Cosmopolitan Europe, and Literary History by Gayle Rogers (review)
  2. Rebecca L. Walkowitz
  3. pp. 863-865
  4. DOI: 10.1353/mod.2014.0063
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  1. An Unwritten Novel: Fernando Pessoa’s “The Book of Disquiet” by Thomas Cousineau (review)
  2. Kenneth David Jackson
  3. pp. 865-867
  4. DOI: 10.1353/mod.2014.0067
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  1. Henry Green at the Limits of Modernism by Marius Hentea (review)
  2. Nick Shepley
  3. pp. 867-869
  4. DOI: 10.1353/mod.2014.0071
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  1. Yeats and Modern Poetry by Edna Longley (review)
  2. Lucy Collins
  3. pp. 869-870
  4. DOI: 10.1353/mod.2014.0075
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  1. Fictions of Autonomy: Modernism from Wilde to de Man by Andrew Goldstone (review)
  2. Cathryn Setz
  3. pp. 870-872
  4. DOI: 10.1353/mod.2014.0079
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  1. The Novel-Essay, 1884–1947 by Stefano Ercolino (review)
  2. Christy Wampole
  3. pp. 873-874
  4. DOI: 10.1353/mod.2014.0057
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  1. The Antinomies of Realism by Fredric Jameson (review)
  2. Robert Brazeau
  3. pp. 874-876
  4. DOI: 10.1353/mod.2014.0061
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  1. Recent Books of Interest
  2. pp. 877-879
  3. DOI: 10.1353/mod.2014.0065
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  1. Introduction Irish Aestheticism
  2. Joseph Bristow
  3. pp. 781-785
  4. DOI: 10.1353/mod.2014.0074
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