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Table of Contents

  1. Page 2: There Is No Success Like Failure
  2. Jeffrey R. Di Leo
  3. pp. 2-24
  4. DOI: https://doi.org/10.1353/abr.2014.0061
  5. restricted access
  1. Class of ’66
  2. Brian McHale
  3. pp. 4-8
  4. DOI: https://doi.org/10.1353/abr.2014.0071
  5. restricted access
  1. Studying Literature in the ’60s
  2. Marjorie Perloff
  3. pp. 5-11
  4. DOI: https://doi.org/10.1353/abr.2014.0076
  5. restricted access
  1. Blunted Edge
  2. Tom LeClair
  3. p. 6
  4. DOI: https://doi.org/10.1353/abr.2014.0080
  5. restricted access
  1. Hick Apocalyptics
  2. Steven Moore
  3. p. 7
  4. DOI: https://doi.org/10.1353/abr.2014.0084
  5. restricted access
  1. A Sucker’s Punch
  2. Jermome Klinkowitz
  3. p. 8
  4. DOI: https://doi.org/10.1353/abr.2014.0059
  5. restricted access
  1. Finisterre
  2. Stephen J. Burn
  3. p. 9
  4. DOI: https://doi.org/10.1353/abr.2014.0064
  5. restricted access
  1. Disturbing the Waters
  2. Robert L. McLaughlin
  3. p. 10
  4. DOI: https://doi.org/10.1353/abr.2014.0069
  5. restricted access
  1. Law of the Jungle
  2. Claudette Bakhtiar
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.2014.0074
  5. restricted access
  1. Truth or Dare
  2. Christopher X. Shade
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2014.0078
  5. restricted access
  1. Yupper Class
  2. Christopher Tuthill
  3. p. 14
  4. DOI: https://doi.org/10.1353/abr.2014.0082
  5. restricted access
  1. Dr. Provincial
  2. Nathan Deuel
  3. p. 14
  4. DOI: https://doi.org/10.1353/abr.2014.0057
  5. restricted access
  1. Capital C
  2. Kolby Harvey
  3. p. 15
  4. DOI: https://doi.org/10.1353/abr.2014.0062
  5. restricted access
  1. The Legend of Burroughs
  2. John Tytell
  3. pp. 16-25
  4. DOI: https://doi.org/10.1353/abr.2014.0067
  5. restricted access
  1. American Literary Stratigraphy
  2. Christopher Leise
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2014.0072
  5. restricted access
  1. Strumming a Lyre
  2. Patrick James Dunagan
  3. p. 18
  4. DOI: https://doi.org/10.1353/abr.2014.0077
  5. restricted access
  1. Fairies & Witches
  2. Cay Dollerup
  3. p. 19
  4. DOI: https://doi.org/10.1353/abr.2014.0081
  5. restricted access
  1. Chat Peau
  2. Roch C. Smith
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2014.0056
  5. restricted access
  1. Lost Loves
  2. Eugene Wildman
  3. p. 21
  4. DOI: https://doi.org/10.1353/abr.2014.0060
  5. restricted access
  1. Perform with Drums
  2. Alan Birkelbach
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2014.0065
  5. restricted access
  1. Comandantes & Federales
  2. Ron Cooper
  3. p. 23
  4. DOI: https://doi.org/10.1353/abr.2014.0070
  5. restricted access
  1. The Terrain Between
  2. Snežana Žabić
  3. p. 25
  4. DOI: https://doi.org/10.1353/abr.2014.0075
  5. restricted access
  1. Dark & Raw
  2. John Griswold
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/abr.2014.0079
  5. restricted access
  1. Light Upon The Darkness
  2. Jessica Berger
  3. p. 27
  4. DOI: https://doi.org/10.1353/abr.2014.0083
  5. restricted access
  1. Losing Myself
  2. Laura Krughoff
  3. p. 28
  4. DOI: https://doi.org/10.1353/abr.2014.0058
  5. restricted access
  1. So Childish, So Adult
  2. Stephanie Rauschenbusch
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.2014.0063
  5. restricted access
  1. Rebel Rebel
  2. Gary Lain
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2014.0068
  5. restricted access
  1. The Knife’s Edge
  2. Dinda L. Gorlée
  3. p. 31
  4. DOI: https://doi.org/10.1353/abr.2014.0073
  5. restricted access
  1. Introduction to Focus: The ’60 at 50—Great Books, Great Readers
  2. Charles B. Harris
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2014.0066
  5. restricted access