1. No More Masterpieces: Tangible Impacts and Intangible Cultural Heritage in Bordered Worlds
  2. Kathy Foley
  3. pp. 369-398
  4. DOI: 10.1353/atj.2014.0031
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  1. Filipino Folk Dance in the Academy: Embodied Research in the Work of Francesca Reyes Aquino, Sally Ann Ness, and Benildanze
  2. Declan Patrick
  3. pp. 399-416
  4. DOI: 10.1353/atj.2014.0035
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  1. Seri Wangnaitham’s Phuchanasibtid and the Modernization of Thai Traditional Theatre
  2. Phakamas Jirajarupat
  3. pp. 417-438
  4. DOI: 10.1353/atj.2014.0038
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  1. Buddhism and Thai Comic Performance
  2. Wankwan Polachan
  3. pp. 439-456
  4. DOI: 10.1353/atj.2014.0041
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  1. Looking to the Future: Training a New Generation for Balinese Arja
  2. Bethany J. Collier
  3. pp. 457-480
  4. DOI: 10.1353/atj.2014.0045
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  1. Wayang Hip Hop: Java’s Oldest Performance Tradition Meets Global Youth Culture
  2. Miguel Escobar Varela
  3. pp. 481-504
  4. DOI: 10.1353/atj.2014.0049
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  1. Contemporary Wayang Beber in Central Java
  2. Marianna Lis
  3. pp. 505-523
  4. DOI: 10.1353/atj.2014.0029
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  1. From Ritual Form to Tourist Attraction: Negotiating the Transformation of Classical Cambodian Dance in a Changing World
  2. Celia Tuchman-Rosta
  3. pp. 524-544
  4. DOI: 10.1353/atj.2014.0033
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  1. To Randai or Not to Randai
  2. Zainal Abd Latiff, Duratul Ain D. Jonathan
  3. pp. 545-557
  4. DOI: 10.1353/atj.2014.0037
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  1. Dama Orchestra’s Shidaiqu Recontextualized in Theatre
  2. Loo Fung Ying, Loo Fung Chiat
  3. pp. 558-573
  4. DOI: 10.1353/atj.2014.0040
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  1. Whither Rama in the Clear-Cut Forest: Ecodramaturgy in Southeast Asia
  2. Catherine Diamond
  3. pp. 574-593
  4. DOI: 10.1353/atj.2014.0044
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  1. Lighting Spectacles in East and Southeast Asia
  2. John A. Williams
  3. pp. 594-605
  4. DOI: 10.1353/atj.2014.0048
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  1. Frank Hoff (1932–2013)
  2. Cody Poulton
  3. pp. 606-611
  4. DOI: 10.1353/atj.2014.0052
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  1. Double Nora by Ueda Kuniyoshi, Mori Mitsuya, and Tsumura Reijirō (review)
  2. Yasutaka Maruki
  3. pp. 612-616
  4. DOI: 10.1353/atj.2014.0032
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  1. A Continuous Revolution: Making Sense of Cultural Revolution Culture by Barbara Mittler (review)
  2. Xing Fan
  3. pp. 617-620
  4. DOI: 10.1353/atj.2014.0036
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  1. South Asian Festivals on the Move ed. by Ute Hüsken Axel Michaels (review)
  2. David Mason
  3. pp. 620-622
  4. DOI: 10.1353/atj.2014.0039
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  1. Dramatic Action in Greek Tragedy and Noh: Reading with and Beyond Aristotle by Mae J. Smethurst (review)
  2. Judith Halebsky
  3. pp. 622-625
  4. DOI: 10.1353/atj.2014.0042
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  1. Hijikata: Revolt of the Body by Stephen Barber (review)
  2. Rosemary Candelario
  3. pp. 625-628
  4. DOI: 10.1353/atj.2014.0046
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  1. Another Stage: Kanze Nobumitsu and the Late Muromachi Noh Theater by Lim Beng Choo (review)
  2. Eric C. Rath
  3. pp. 631-635
  4. DOI: 10.1353/atj.2014.0030
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  1. Shadow Woman: The Extraordinary Career of Pauline Benton by Grant Hayter-Menzies (review)
  2. Kathy Foley
  3. pp. 635-637
  4. DOI: 10.1353/atj.2014.0034
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  1. From the Editor
  2. Kathy Foley
  3. p. iii
  4. DOI: 10.1353/atj.2014.0043
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  1. Introduction: Global Encounters in Southeast Asian Performing Arts
  2. Matthew Isaac Cohen
  3. pp. 353-368
  4. DOI: 10.1353/atj.2014.0047
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  1. Color Insert
  2. pp. Color Insert 1-Color Insert 8
  3. DOI: 10.1353/atj.2014.0051
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