restricted access   Volume 60, Number 3, Fall 2014

Table of Contents

Animal Worlds in Modern Fiction


Animal Worlds in Modern Fiction: An Introduction

pp. 421-443


The Literary Animal and the Narrativized Zoo

pp. 444-463

Species Performance, or, Henry James’s Beastly Sense

pp. 464-483

“Three smells exist in this world”: Literary Fiction and Animal Phenomenology in Italo Svevo’s “Argo and His Master”

pp. 484-505

Mongrel Fiction: Canine Bildung and the Feminist Critique of Anthropocentrism in Woolf’s Flush

pp. 506-526

The Animals of James Joyce’s Finnegans Wake

pp. 527-543

Narrative Disruption as Animal Agency in Cormac McCarthy’s The Crossing

pp. 544-561

No Higher Life: Bio-aesthetics in J. M. Coetzee’s Disgrace

pp. 562-578

Fables of the Tiger Economy: Species and Subalternity in Aravind Adiga’s The White Tiger

pp. 579-598

Backward/Forward: Thalia Field’s Metanarratives

pp. 599-615

Boundary Issues: Human–Animal Relationships in Karen Joy Fowler’s We Are All Completely beside Ourselves

pp. 616-635

Review Essay

What Kind of Literary Animal Studies Do We Want, or Need?

pp. 636-644


pp. 645-647