restricted access   Volume 60, Number 3, Fall 2014

Table of Contents

Animal Worlds in Modern Fiction

Introduction

Animal Worlds in Modern Fiction: An Introduction

pp. 421-443
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Articles

The Literary Animal and the Narrativized Zoo

pp. 444-463
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Species Performance, or, Henry James’s Beastly Sense

pp. 464-483
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“Three smells exist in this world”: Literary Fiction and Animal Phenomenology in Italo Svevo’s “Argo and His Master”

pp. 484-505
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Mongrel Fiction: Canine Bildung and the Feminist Critique of Anthropocentrism in Woolf’s Flush

pp. 506-526
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The Animals of James Joyce’s Finnegans Wake

pp. 527-543
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Narrative Disruption as Animal Agency in Cormac McCarthy’s The Crossing

pp. 544-561
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No Higher Life: Bio-aesthetics in J. M. Coetzee’s Disgrace

pp. 562-578
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Fables of the Tiger Economy: Species and Subalternity in Aravind Adiga’s The White Tiger

pp. 579-598
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Backward/Forward: Thalia Field’s Metanarratives

pp. 599-615
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Boundary Issues: Human–Animal Relationships in Karen Joy Fowler’s We Are All Completely beside Ourselves

pp. 616-635
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Review Essay

What Kind of Literary Animal Studies Do We Want, or Need?

pp. 636-644
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Contributors

pp. 645-647
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