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Table of Contents

  1. Editors’ Note
  2. David Brauner, Debra Shostak
  3. p. 5
  4. restricted access
  1. Cosmopolitanism and Tragic Silence in Philip Roth’s The Human Stain
  2. Alan McCluskey
  3. pp. 7-19
  4. DOI: https://doi.org/10.1353/prs.2014.a554266
  5. restricted access
  1. Liver, Lobster and the Law: Gastronomic Identification and Rebellion in Portnoy’s Complaint
  2. Shaun Clarkson
  3. pp. 21-29
  4. DOI: https://doi.org/10.1353/prs.2014.a554265
  5. restricted access
  1. Fiction as Faith: Philip Roth’s Testament in Exit Ghost
  2. Gurumurthy Neelakantan
  3. pp. 31-45
  4. DOI: https://doi.org/10.1353/prs.2014.a554264
  5. restricted access
  1. Seeing Paul Gauguin in Philip Roth’s “Goodbye, Columbus”
  2. Randall Wilhelm
  3. pp. 47-60
  4. DOI: https://doi.org/10.1353/prs.2014.a554256
  5. restricted access
  1. Literary Labor and Physical Toil: Contesting Notions of Work and Origins in American Pastoral
  2. Andy Connolly
  3. pp. 61-77
  4. DOI: https://doi.org/10.1353/prs.2014.a554263
  5. restricted access
  1. Reconsidering the Tragic Status of Coleman Silk in The Human Stain
  2. Brittany Ann Miller
  3. pp. 79-83
  4. DOI: https://doi.org/10.1353/prs.2014.a554262
  5. restricted access
  1. Roth Unbound: A Writer and His Books by Claudia Roth Pierpont (review)
  2. Mark Shechner
  3. pp. 85-95
  4. restricted access
  1. No Joke: Making Jewish Humor by Ruth R. Wisse (review)
  2. James D. Bloom
  3. pp. 97-99
  4. restricted access
  1. In History’s Grip: Philip Roth’s Newark Trilogy by Michael Kimmage (review)
  2. Timothy Aubry
  3. pp. 99-101
  4. restricted access
  1. Annual Bibliography of Philip Roth Criticism and Resources—2013
  2. Will Wickens
  3. pp. 103-106
  4. restricted access
  1. Contributors
  3. pp. 107-108
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