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  Volume 18, Number 4, Fall 1995

Table of Contents

From: Callaloo

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Special Issue: African Brazilian Literature

Selected Works by African Brazilian Artists Images-Callaloo 18:4

Contents

Introduction

Introduction

pp. vii-ix
|

Fiction

When the Hustler Hesitates

pp. 760-770
|

My African Friend

pp. 739-740
|

Life in Debt

pp. 718-720
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Ah, Those Young White Men in Suits and Ties

p. 728
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The Son of Oxala Who Was Named Money

p. 796
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Story of the Woman Whose Daughter Made Palm Oil

pp. 797-798
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Maria

pp. 771-772
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Metamorphose

pp. 805-809
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Ogun

pp. 741-747
|

Drama

Morning, Protect Me: A Monologue in One Act

pp. 721-727
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Sortilege (Black Mystery)

pp. 821-862
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Poetry

Great Mother

p. 799
|

Ejo-lorun

p. 800
|

Pieces of a Woman

p. 801
|

Man to the Apocryphal Glow from Puya

pp. 748-750
|

Foreboding

p. 733
|

August

pp. 734-735
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Carnival

p. 736
|

In the Style of Alvaro de Campos

pp. 737-738
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Meta-Score

p. 819
|

Fairy Tales for a Black Northeast

p. 820
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Daily

p. 817
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Much to the Sea

p. 818
|

Solstice

p. 871
|

School

p. 713
|

Circle

p. 714
|

The Fruit

p. 715
|

The Dancer

p. 716
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Iron

p. 717
|

Morning Prayer

p. 872
|

Induca, Maria do Rosario

p. 873
|

Ouro Preto: interpretation itinerary

p. 874
|

This Is For You

p. 753
|

Hallucinations

p. 754
|

Marina and the Word, Another Name

p. 755
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Types of Life

p. 773
|

I Am

pp. 813-814
|

Essays

A Ritual Choreography: The Orishas' Steps in Sortilegio

pp. 863-870
|

Survey of African-Brazilian Literature

pp. 875-880
|

The Greatest Poet that God Creole

pp. 777-795
|

Interviews

Miriam Alves

pp. 802-804
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Jorge Froes, Ronald Augusto and Joao Batista Rodrigues

pp. 751-752
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Cuti (Luiz Silva)

pp. 729-732
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Geni Guimaraes

pp. 810-812
|

Ele Semog

pp. 756-759
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Jonatas da Silva

pp. 774-776
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Oliveira Silveira

pp. 815-816
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Bibliography

African Brazilian Literature, Culture and History: a Selective Bibliography

pp. 10-12
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Contributors

pp. 881-884
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