1. Fate, Philology, Freud
  2. Jules Brody
  3. pp. 1-29
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  1. Socrates: Antitragedian
  2. Eva Brann
  3. pp. 30-40
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  1. How Does Leopold Bloom Become Ulysses?
  2. John Turner
  3. pp. 41-57
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  1. Jane Austen’s Challenges, or the Powers of Character and the Understanding
  2. Valerie Wainwright
  3. pp. 58-73
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  1. The Haunting Quest for What Is Lost: Aesthetics and Ethics in William and Henry James
  2. Philip S. Francis
  3. pp. 74-89
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  1. Achieving Their Country: Richard Rorty and Jonathan Franzen
  2. Áine Mahon
  3. pp. 90-109
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  1. Dante’s Paradiso: No Human Beings Allowed
  2. Bruce Silver
  3. pp. 110-127
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  1. Virginia Woolf’s Ethics and Victorian Moral Philosophy
  2. Christine Reynier
  3. pp. 128-141
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  1. Metaphor as Appropriation
  2. Nick Zangwill
  3. pp. 142-152
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  1. Rabbi Elisha Ben Abuyah “At the Mind’s Limit”: Between Theodicy and Fate
  2. Norman K. Swazo
  3. pp. 153-168
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  1. Philosophy and the Bible: The Case of Open Theism
  2. Don Levi
  3. pp. 169-187
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  1. Modern and Tragic?: Kierkegaard’s Antigone and the Aesthetics of Isolation
  2. Nicole Jerr
  3. pp. 188-203
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  1. Augustine’s Confessions and the Transcendental Ground of Consciousness, or How Literary Narrative Becomes Prophetic Revelation
  2. William Franke
  3. pp. 204-222
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  1. William Blake’s Jerusalem and the Los Angeles of Film Noir
  2. Harold Henry Hellwig
  3. pp. 223-241
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  1. Infinity Breeds Contempt: The Social Critiques of the Tragically Immortal Narrator in Samuel Beckett’s Malone Dies
  2. Mohammadreza Arghiani
  3. pp. 242-253
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  1. To Be, or Not to Be in Bad Faith: The Tragedy of Hamlet’s Superficial Reading of Sartre’s Waiter
  2. Oliver George Downing
  3. pp. 254-265
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  1. “Hume Sweet Hume”: Skepticism, Idealism, and Burial in Finnegans Wake
  2. Richard Barlow
  3. pp. 266-275
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  1. Sense-Making Sound: Agamben, Longenbach, and the Question of Poetic Meaning
  2. Dongho Cha
  3. pp. 276-281
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  1. Heroism in Sophocles’s Antigone
  2. Willow Verkerk
  3. pp. 282-291
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