Volume 48, Number 3, Fall 2014

Table of Contents

Madonna, Whore: Mary’s Sexuality in the N-Town Plays

pp. 191-219
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Antonio’s (Happy) Ending: Queer Closure in All-Male Twelfth Night

pp. 221-240
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Tyrants, Tudors, and the Digby Mary Magdalen

pp. 241-259
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From Pain, Poetry: Howard Barker’s Blok/Eko and the Poetics of Plethoric Theater

pp. 261-276
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The Country Wife, Dance of the Cuckolds

pp. 277-305
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Reviews

Five Words: Critical Semantics in the Age of Shakespeare and Cervantes by Roland Greene (review)

pp. 307-309
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Performing Masculinity in English University Drama, 1598–1636. Studies in Performance and Early Modern Drama by Christopher Marlow (review)

pp. 309-312
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Tom Stoppard: Bucking the Postmodern by Daniel Keith Jernigan (review)

pp. 312-315
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Bernard Kops: Fantasist, London Jew, Apocalyptic Humorist by William Baker and Jeanette Roberts Shumaker (review)

pp. 315-318
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Modernity, Community, and Place in Brian Friel’s Drama by Richard Rankin Russell (review)

pp. 318-321
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The Theater of Terrence McNally: A Critical Study by Peter Wolfe (review)

pp. 321-324
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Brief Notices

pp. 327-329
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Contributors

pp. 331-332
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