restricted access   Volume 45, Numbers 1-2, January-April 2014

Table of Contents

Subjectivity in a Globalizing World

Resisting Colonial Mastery: Becoming Animal, Becoming Ethical in The Impressionist

pp. 1-34

Rites of Passage: Moving Hearts and Transforming Memories in Michael Ondaatje’s The Cat’s Table

pp. 35-57

Pure Ethnicity in Hybridization: A Returnee’s Quest for Chineseness in “Love in a Fallen City”

pp. 59-77

Crossing into the Cultural Other: A Dialogic Reading Strategy

pp. 79-102


Sounding the Occupation: Joe Sacco’s Palestine and the Uses of Graphic Narrative for (Post)Colonial Critique

pp. 103-129

China-Africa Relations, Political Conditions, and Ngũgĩ wa Thiong’o’s Wizard of the Crow

pp. 131-165

Social Non-Conformists in Forster’s Italy: Otherness and the Enlightened English Tourist

pp. 167-194

Class and the Time of the Nation in Preeta Samarasan’s Evening Is the Whole Day

pp. 195-220

Complex Collaborations: Elsa Joubert’s The Long Journey of Poppie Nongena and Zoë Wicomb’s David’s Story

pp. 221-245


Signifying (Non)Linguistic and Subliminal Spirituality: Caryl Phillips’ Crossing the River

pp. 247-260


White Vanishing: Rethinking Australia’s Lost-in-the-Bush Myth by Elspeth Tilley (review)

pp. 261-263

“Mouths on Fire with Songs”: Negotiating Multi-Ethnic Identities on the Contemporary North American Stage by Caroline De Wagter (review)

pp. 263-265

The Memory Effect: The Remediation of Memory in Literature and Film eds. by Russell J. A. Kilbourn and Eleanor Ty (review)

pp. 266-268

Notes on Contributors

pp. 269-271