1. Three Retractions
  2. John Gronbeck-Tedesco
  3. p. 5
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  1. ‘A Kind of Magic’: Theatre, Transportation, and Moral Persuasion
  2. M. B. Willard, Jennifer Kokai
  3. pp. 7-27
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  1. Platon Kerzhentsev and His Theories on Collective Creation
  2. Stefan Aquilina
  3. pp. 29-48
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  1. Subversion and Closure: Reading Micro-Texts in Girish Karnad’s Hayavadana and Naga-Mandala
  2. Sudha Shastri
  3. pp. 49-66
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  1. Sarah Ruhl’s Dear Elizabeth and the Mourning of Friends
  2. Thomas Butler
  3. pp. 67-84
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  1. The Cambridge Companion to African American Theatre ed. by Harvey Young (review)
  2. Jennifer DeVere Brody
  3. pp. 87-88
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  1. Marc Blitzstein: His Life, His Work, His World by Howard Pollack (review)
  2. Stuart J. Hecht
  3. pp. 89-91
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  1. Maria Irene Fornes by Scott T. Cummings (review)
  2. Irma Mayorga
  3. pp. 91-94
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  1. The Politics and Poetics of Contemporary English Tragedy by Sean Carney (review)
  2. Kate Pierson
  3. pp. 94-96
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  1. Metatheater and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)
  2. Bradley Stephenson
  3. pp. 96-98
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  1. Brown Boys and Rice Queens: Spellbinding Performance in the Asias by Eng-Beng Lim (review)
  2. Melissa Wansin Wong
  3. pp. 98-100
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  1. Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)
  2. Christine Woodworth
  3. pp. 101-103
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  1. Books Received
  2. pp. 104-114
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