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  Volume 28, Number 2, Spring 2014

Table of Contents

Three Retractions

p. 5 | DOI: 10.1353/dtc.2014.0004


‘A Kind of Magic’: Theatre, Transportation, and Moral Persuasion

pp. 7-27 | DOI: 10.1353/dtc.2014.0006

Platon Kerzhentsev and His Theories on Collective Creation

pp. 29-48 | DOI: 10.1353/dtc.2014.0008

Subversion and Closure: Reading Micro-Texts in Girish Karnad’s Hayavadana and Naga-Mandala

pp. 49-66 | DOI: 10.1353/dtc.2014.0010

Sarah Ruhl’s Dear Elizabeth and the Mourning of Friends

pp. 67-84 | DOI: 10.1353/dtc.2014.0012

Book Reviews

The Cambridge Companion to African American Theatre ed. by Harvey Young (review)

pp. 87-88 | DOI: 10.1353/dtc.2014.0001

Marc Blitzstein: His Life, His Work, His World by Howard Pollack (review)

pp. 89-91 | DOI: 10.1353/dtc.2014.0003

Maria Irene Fornes by Scott T. Cummings (review)

pp. 91-94 | DOI: 10.1353/dtc.2014.0005

The Politics and Poetics of Contemporary English Tragedy by Sean Carney (review)

pp. 94-96 | DOI: 10.1353/dtc.2014.0007

Metatheater and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)

pp. 96-98 | DOI: 10.1353/dtc.2014.0009

Brown Boys and Rice Queens: Spellbinding Performance in the Asias by Eng-Beng Lim (review)

pp. 98-100 | DOI: 10.1353/dtc.2014.0011

Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)

pp. 101-103 | DOI: 10.1353/dtc.2014.0000

List of Books Received

Books Received

pp. 104-114 | DOI: 10.1353/dtc.2014.0002

Research Areas


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