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  Volume 28, Number 2, Spring 2014

Table of Contents

Three Retractions

p. 5
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Articles

‘A Kind of Magic’: Theatre, Transportation, and Moral Persuasion

pp. 7-27
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Platon Kerzhentsev and His Theories on Collective Creation

pp. 29-48
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Subversion and Closure: Reading Micro-Texts in Girish Karnad’s Hayavadana and Naga-Mandala

pp. 49-66
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Sarah Ruhl’s Dear Elizabeth and the Mourning of Friends

pp. 67-84
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Book Reviews

The Cambridge Companion to African American Theatre ed. by Harvey Young (review)

pp. 87-88
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Marc Blitzstein: His Life, His Work, His World by Howard Pollack (review)

pp. 89-91
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Maria Irene Fornes by Scott T. Cummings (review)

pp. 91-94
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The Politics and Poetics of Contemporary English Tragedy by Sean Carney (review)

pp. 94-96
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Metatheater and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)

pp. 96-98
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Brown Boys and Rice Queens: Spellbinding Performance in the Asias by Eng-Beng Lim (review)

pp. 98-100
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Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)

pp. 101-103
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List of Books Received

Books Received

pp. 104-114
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Research Areas

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