restricted access   Volume 28, Number 2, Spring 2014

Table of Contents

Three Retractions

p. 5


‘A Kind of Magic’: Theatre, Transportation, and Moral Persuasion

pp. 7-27

Platon Kerzhentsev and His Theories on Collective Creation

pp. 29-48

Subversion and Closure: Reading Micro-Texts in Girish Karnad’s Hayavadana and Naga-Mandala

pp. 49-66

Sarah Ruhl’s Dear Elizabeth and the Mourning of Friends

pp. 67-84

Book Reviews

The Cambridge Companion to African American Theatre ed. by Harvey Young (review)

pp. 87-88

Marc Blitzstein: His Life, His Work, His World by Howard Pollack (review)

pp. 89-91

Maria Irene Fornes by Scott T. Cummings (review)

pp. 91-94

The Politics and Poetics of Contemporary English Tragedy by Sean Carney (review)

pp. 94-96

Metatheater and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)

pp. 96-98

Brown Boys and Rice Queens: Spellbinding Performance in the Asias by Eng-Beng Lim (review)

pp. 98-100

Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)

pp. 101-103

List of Books Received

Books Received

pp. 104-114