restricted access   Volume 58, Number 3, Fall 2014 (T223)

Table of Contents

Special Issue: Performing the City

Guest Edited by Carol Martin


p. 1


Provoking Audience

pp. 2-3

TDR Comment

Egypt Update from Nehad Selaiha

p. 7

TDR Contributing Editors

pp. 8-9


Performing the City

pp. 10-17

City as Performance

pp. 18-26

Performing Public Spaces, Staging Collective Memory: 50 Kilometres of Files by Rimini Protokoll

pp. 27-38

The Park, the Penguin, and the Gas: Performance in Progress in Gezi Park

pp. 39-68

Standing Man and the Impromptu Performance of Hope: An Interview with Erdem Gündüz

pp. 69-83

Clashing Temporalities of Public Mourning: Warsaw after the Death of Pope John Paul II

pp. 84-96

Brooklyn’s Experimental Frontiers: A Performance Geography

pp. 97-123


Could You Please Look into the Camera?

pp. 124-155

Critical Acts

Presence, Rhetoric, Difference: Jérôme Bel and Theater HORA’s Disabled Theater

pp. 156-162

Cédric Andrieux: With Bel, Benjamin, and Brecht in Vancouver

pp. 162-169

The Illumination of LEIMAY’s Becoming – Corpus

pp. 169-174


Tôzai !… Corps et cris des marionnettes d’Osaka by François Bizet (review)

pp. 175-177

The Unwritten Grotowski: Theory and Practice of the Encounter by Kris Salata (review)

pp. 177-179

Great Lengths: Seven Works of Marathon Theater by Jonathan Kalb (review)

pp. 179-181

Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the WOW Café Theatre by Kate Davy (review)

pp. 181-183

The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance by Brandi Wilkins Catanese (review)

pp. 183-184

Critical Art Ensemble: Disturbances, introduction by Brian Holmes (review)

p. 185

The Heart of Teaching: Empowering Students in the Performing Arts by Stephen Wangh (review)

pp. 186-187

Aloha America: Hula Circuits Through the U.S. Empire by Adria L. Imada (review)

pp. 187-189

More Books

pp. 189-190