1. About The Artist: Emilio Gil
  2. Dr. Malcolm Allan Compitello
  3. pp. 7-8
  4. DOI: 10.1353/hcs.2013.0005
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  1. Baserritarra: Identity, Violence and the Other in Post-Franco Basque Cinema
  2. Gorka Bilbao Terreros
  3. pp. 9-28
  4. DOI: 10.1353/hcs.2013.0009
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  1. Fugas y resistencias heroicas: Entre la atrocidad y el encuadre de la trata de mujeres y niñas en Argentina
  2. Ana Forcinito
  3. pp. 47-64
  4. DOI: 10.1353/hcs.2013.0017
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  1. De Luis Buñuel: El padre del cine cinegético español
  2. Guy H. Wood
  3. pp. 65-80
  4. DOI: 10.1353/hcs.2013.0021
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  1. Exhibicionismo urbano: Yomango y la reconfiguración espacial de la Barcelona del siglo XXI
  2. Olga Sendra Ferrer
  3. pp. 101-120
  4. DOI: 10.1353/hcs.2013.0003
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  1. “En Cataluña hay una gran tradición de respeto a la diferencia.” Conversación con el escritor Lluís Maria Todó
  2. Heather Jerónimo
  3. pp. 121-136
  4. DOI: 10.1353/hcs.2013.0007
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  1. Entrevista con Ricard Martínez: “Escenificando la Historia: Refotografía en Barcelona”
  2. “Art and Resistance”
  3. pp. 137-150
  4. DOI: 10.1353/hcs.2013.0011
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  1. Disability Studies in the Hispanic World: Proposals and Methodologies
  2. Encarnación Juárez-Almendros
  3. pp. 153-160
  4. DOI: 10.1353/hcs.2013.0015
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  1. Moctezuma’s Zoo: Housing Disability in Transatlantic Travel Literature and European Courts
  2. Elizabeth B. Bearden
  3. pp. 161-176
  4. DOI: 10.1353/hcs.2013.0019
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  1. Hallucinations, Persecutions and Self-Defense: The Autobiography of Teresa of Ávila
  2. Encarnación Juárez-Almendros
  3. pp. 177-192
  4. DOI: 10.1353/hcs.2013.0023
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  1. Prometheus Re-bound: Disability, Contingency and the Aesthetics of Hygiene in Post-Revolutionary Mexico
  2. Susan Antebi
  3. pp. 193-210
  4. DOI: 10.1353/hcs.2013.0002
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  1. Mestizaje as National Prosthesis: Corporeal Metaphors in Héctor Tobar’s The Tattooed Soldier
  2. Julie Avril Minich
  3. pp. 211-226
  4. DOI: 10.1353/hcs.2013.0006
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  1. Letras arrebatadas: Poesía y química en la transición española by Germán Labrador Méndez (review)
  2. Rolando Pérez
  3. pp. 263-265
  4. DOI: 10.1353/hcs.2013.0018
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  1. Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts by Rolando Pérez (review)
  2. Jorge Brioso
  3. pp. 267-268
  4. DOI: 10.1353/hcs.2013.0001
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  1. Contornos de la narrativa española actual by Palmar Álvarez-Blanco y Toni Dorca (review)
  2. Cristina Martínez-Carazo
  3. pp. 268-272
  4. DOI: 10.1353/hcs.2013.0004
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  1. The Politics of Age and Disability in Contemporary Spanish Film: Plus Ultra Pluralism by Matthew J. Marr (review)
  2. Julie Avril Minich
  3. pp. 274-276
  4. DOI: 10.1353/hcs.2013.0012
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  1. The Afro-Latin@ Reader: History and Culture in the United States Edited by Miriam Jiménez Román and Juan Flores (review)
  2. Mahan L. Ellison
  3. pp. 278-279
  4. DOI: 10.1353/hcs.2013.0020
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  1. Barrio Libre: Criminalizing States and Delinquent Refusals of the New Frontier by Gilberto Rosas (review)
  2. Claudia de la Rosa-Fuller
  3. pp. 279-280
  4. DOI: 10.1353/hcs.2013.0024
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