1. Bach at the Space Station: Hermeneutic Pliability and Multiplying Gaps in Andrei Tarkovsky’s Solaris
  2. Tobias Pontara
  3. pp. 1-23
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  1. Musical Cachet in New Queer Cinema
  2. Jack Curtis Dubowsky
  3. pp. 25-56
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  1. Gesture, Temporality, and the Politics of Engagement in Opera on Film: Penny Woolcock’s The Death of Klinghoffer
  2. Colleen Renihan
  3. pp. 57-85
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  1. Cinema and Music (1937) by Ignacio Isaza Martínez
  2. Marco Alunno
  3. pp. 87-91
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  1. The Sounds of the Silents in Britain ed. by Julie Brown, Annette Davison (review)
  2. Rick Altman
  3. pp. 93-95
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  1. Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity by Anahid Kassabian (review)
  2. Annabel Fleming-Brown
  3. pp. 97-102
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  1. Scoring Transcendence: Contemporary Film Music as Religious Experience by Kutter Callaway (review)
  2. Carl Laamanen
  3. pp. 103-108
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  1. Contributors to Issue 8:1
  2. pp. 109-110
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