1. Giovanni Battista De Vecchis and the Theory of Melodic Accent from Zarlino to Zingarelli
  2. Nicholas Baragwanath
  3. pp. 157-181
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  1. Alexandra Palace: Music, Leisure, and the Cultivation of ‘Higher Civilization’ in the Late Nineteenth Century
  2. Paul Watt, Alison Rabinovici
  3. pp. 183-212
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  1. Parables of the Old Men and the Young: The Multifarious Modernisms of Erwin Schulhoff’s String Quartets
  2. Yoel Greenberg
  3. pp. 213-249
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  1. Negotiating Liveness: Technology, Economics, and The Artwork in Lso Live
  2. Ananay Aguilar
  3. pp. 251-272
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  1. Mäzene — Manuskripte — Modi: Untersuchungen zu My Ladye Nevells Booke by Tihomir Popović (review)
  2. Oliver Neighbour
  3. pp. 273-278
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  1. Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head (review)
  2. Marcia J Citron
  3. pp. 280-282
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  1. Experiencing Mozart: A Listener’s Companion by David Schroeder (review)
  2. John Irving
  3. pp. 282-284
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  1. Mozart’s Ghosts: Haunting the Halls of Musical Culture by Mark Everist (review)
  2. Simon P. Keefe
  3. pp. 285-287
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  1. Amico: The Life of Giovanni Battista Viotti by Warwick Lister (review)
  2. Simon McVeigh
  3. pp. 287-289
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  1. Beethoven’s ‘Eroica’ Sketchbook: A Critical Edition Transcribed, ed. and commentary by Lewis Lockwood and Alan Gosman (review)
  2. Nicholas Marston
  3. pp. 289-291
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  1. The Hallelujah Effect: Philosophical Reflections on Music, Performance Practice, and Technology by Babette Babich (review)
  2. Huw Hallam
  3. pp. 291-294
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  1. Hamish MacCunn (1868–1916): A Musical Life by Jennifer L. Oates (review)
  2. Alasdair Jamieson
  3. pp. 294-296
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  1. Brahms beyond Mastery by Robert Pascall (review)
  2. Margaret Notley
  3. pp. 296-298
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  1. Brahms in der Meininger Tradition. Seine Sinfonien in der Bezeichnung von Fritz Steinbach ed. by Walter Blume (review)
  2. Michael Musgrave
  3. pp. 298-299
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  1. La Dramaturgie de Gustave Charpentier by Michela Niccolai (review)
  2. Clair Rowden
  3. pp. 299-302
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  1. Skryabin, Philosophy and the Music of Desire by Kenneth M. Smith (review)
  2. David Fanning
  3. pp. 302-304
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  1. Allegro appassionato by Jean Wiéner (review)
  2. Caroline Rae
  3. pp. 304-305
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  1. Stravinsky’s Piano: Genesis of a Musical Language by Graham Griffiths (review)
  2. Maureen A. Carr
  3. pp. 305-308
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  1. Sonic Modernity: Representing Sound in Literature, Culture and the Arts by Sam Halliday (review)
  2. Christin Hoene
  3. pp. 308-311
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  1. Klezmer’s Afterlife: An Ethnography of the Jewish Music Revival in Poland and Germany by Magdalena Waligórska (review)
  2. Abigail Wood
  3. pp. 311-313
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  1. Death Metal and Music Criticism: Analysis at the Limits by Michelle Phillipov (review)
  2. Robert Upton
  3. pp. 313-314
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  1. Gender in Chinese Music ed. by Rachel Harris, Rowan Pease, and Shzr Ee Tan (review)
  2. Marc L. Moskowitz
  3. pp. 314-316
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  1. Empire of Song: Europe and Nation in the Eurovision Song Contest ed. by Dafni Tragaki (review)
  2. Ivan Raykoff
  3. pp. 316-318
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  1. The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening by Steven G. Laitz (review)
  2. Rohan Stewart-MacDonald
  3. pp. 318-321
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  1. Recipients of ‘Music & Letters’ Awards
  2. p. 322
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  1. ‘Music & Letters’ Awards
  2. p. 324
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  1. Authors of Articles in this Issue
  2. p. 324
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  1. Books Received
  2. pp. 325-327
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