Articles
“How come you ain’t got it?”: Dislocation as Historical Act in Hurston’s Documentary Texts
pp. 201-216
Crossing the Threshold: Zora Neale Hurston, Racial Performance, and Seraph on the Suwanee
pp. 217-235
“A mountain full of ghosts”: Mourning African American Masculinities in Colson Whitehead’s John Henry Days
pp. 271-284
“Different Men in Strange Times”: The Creation of Cultural Memory in John A. Williams’s Clifford’s Blues
pp. 301-312
“Where a Man is a Man”?: Ancestral Possibilities in Charles Chesnutt’s Paul Marchand, F.M.C.
pp. 397-411
African Past or American Present?: The Visual Eloquence of James VanDerZee’s Identical Twins
pp. 439-459
Poetry & Fiction
Fathers & Sons: Two Stories
Book Reviews
The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium by Michele Elam (review)
pp. 517-519
Early African American Print Culture ed. by Lara Langer Cohen and Jordan Alexander Stein (review)
pp. 540-542
Prove It On Me: New Negroes, Sex, and Popular Culture in the 1920s by Erin D. Chapman (review)
pp. 549-550
Troubled Ground: A Tale of Murder, Lynching, and Reckoning in the New South by Claude A. Clegg III (review)
pp. 551-552