Issue Cover

From: Digital Philology: A Journal of Medieval Cultures

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restricted access   Volume 3, Number 1, Spring 2014

Table of Contents

Introduction: The Archival Turn in Medieval Iberian Studies

pp. 1-10
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DOI: 10.1353/dph.2014.0001
Albert Lloret
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An Electronic Corpus of Fifteenth-Century Castilian Cancionero Manuscripts

pp. 11-23
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DOI: 10.1353/dph.2014.0003
Barbara Bordalejo, Fiona Maguire, Manuel Moreno, Peter Robinson, Dorothy Severin
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Cançoners DB: A New Research Tool for the Study of Medieval Catalan Songbooks

pp. 24-42
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DOI: 10.1353/dph.2014.0005
Sadurní Martí
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Reflections on the Making of a Census of Medieval Catalan Translations

pp. 43-58
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DOI: 10.1353/dph.2014.0007
Montserrat Ferrer, Lluís Cabré
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A Brief History of the Llull DB and Its Derivatives

pp. 59-74
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DOI: 10.1353/dph.2014.0009
Anthony Bonner, Albert Soler, Lola Badia
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Cracking the Code: Reflections on Manuscripts in the Age of Digital Books

pp. 75-100
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DOI: 10.1353/dph.2014.0010
Ryan Szpiech
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The Sephardic Past in the Digital Future

pp. 101-120
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DOI: 10.1353/dph.2014.0000
Michelle M. Hamilton
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Return to Commentary: On the Tears of Moses in the Libro de buen amor

pp. 121-141
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DOI: 10.1353/dph.2014.0002
Ryan Giles
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Manuscript Study

Mossèn Avinyó, the Cancionero de Vindel and the Cançoner llemosí del siglo XV

pp. 142-161
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DOI: 10.1353/dph.2014.0004
Rafael Ramos, Francisco J. Rodríguez Risquete, Jaume Torró
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Reviews

Marco Polo’s Le Devisement du Monde Narrative Voice, Language and Diversity by Simon Gaunt (review)

pp. 162-164
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DOI: 10.1353/dph.2014.0006
Elizabeth Voss
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Carolingian Canon Law Project Dir. by Abigail Firey (review)

pp. 165-168
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DOI: 10.1353/dph.2014.0008
Melodie H. Eichbauer
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