restricted access   Volume 46, Number 1, April 2014

Table of Contents

Editor’s Note

Editor’s Note: Multidisciplinary Extensions of Analysis

pp. 1-2


Inheriting Dance’s Alternative Histories

pp. 5-22

Flexibility and Its Bodily Limits: Transnational South Asian Dancers in an Age of Neoliberalism

pp. 23-40

The Ambulatory Aesthetics of Yvonne Rainer’s Trio A

pp. 41-60

Textual Matters: Making Narrative and Kinesthetic Sense of Crystal Pite’s Dance-Theater

pp. 61-83

Improvisational Artistry in Live Dance Performance as Embodied and Extended Agency

pp. 84-94

Review Essays

Modernism on Stage: The Ballets Russes and the Parisian Avant-Garde by Juliet Bellow, and: The Ballets Russes and Beyond: Music and Dance in Belle-Époque Paris by Davinia Caddy (review) (review)

pp. 95-103

Le Ballet de l’Opéra: Trois Siècles de Suprématie Depuis Louis XIV ed. by Mathias Auclair and Christophe Ghristi (review)

pp. 104-114

Book Reviews

The Spirits and the Law: Vodou and Power in Haiti by Kate Ramsey (review)

pp. 115-119

The Body of the People: East German Dance Since 1945 by Jens Richard Giersdorf (review)

pp. 119-123

New German Dance Studies ed. by Susan Manning and Lucia Ruprecht (review)

pp. 123-129

Kinesthetic City: Dance and Movement in Chinese Urban Spaces by SanSan Kwan (review)

pp. 129-133

Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest by Paul Scolieri (review)

pp. 133-136

Aloha America: Hula Circuits Through the U.S. Empire by Adria L. Imada (review)

pp. 136-141

Books Received

pp. 142-143