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Table of Contents

  1. The Historian Is Paramount
  2. Mark Lynn Anderson
  3. pp. 1-30
  4. DOI: https://doi.org/10.2979/filmhistory.26.2.1
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  1. Leo Rosencrans, Movie-Struck Boy: A (Half-)Year in the Life of a Hollywood Extra
  2. Charlie Keil
  3. pp. 31-51
  4. DOI: https://doi.org/10.2979/filmhistory.26.2.31
  5. restricted access
  1. Fantastic Functionality: Studio Architecture and the Visual Rhetoric of Early Hollywood
  2. Brian R. Jacobson
  3. pp. 52-81
  4. DOI: https://doi.org/10.2979/filmhistory.26.2.52
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  1. Slapstick on Slapstick: Mack Sennett’s Metamovies Revisit the Keystone Film Company
  2. Hilde D’haeyere
  3. pp. 82-111
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  1. Art School Cinema: Rex Ingram and the Lessons of the Studio
  2. Kaveh Askari
  3. pp. 112-145
  4. DOI: https://doi.org/10.2979/filmhistory.26.2.112
  5. restricted access
  1. Lenses for Lantern: Data Mining, Visualization, and Excavating Film History’s Neglected Sources
  2. Eric Hoyt
  3. pp. 146-168
  4. DOI: https://doi.org/10.2979/filmhistory.26.2.146
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  1. Introduction: Early Hollywood and the Archive
  2. Rob King
  3. pp. vii-xiv
  4. DOI: https://doi.org/10.2979/filmhistory.26.2.vii
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  1. Contributors
  3. pp. 169-170
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