1. The Bucket Brigade: ATHE President’s Address, 2013
  2. Henry Bial
  3. pp. 85-88
  4. DOI: 10.1353/tt.2014.0015
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  1. Playing Jewish at the National Asian American Theatre Company
  2. Lisa S. Brenner
  3. pp. 89-102
  4. DOI: 10.1353/tt.2014.0017
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  1. “Hey, asshole: you had your say”: The Performance of Theatre Criticism
  2. Oona Hatton
  3. pp. 103-124
  4. DOI: 10.1353/tt.2014.0019
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  1. The Spectator and Her Double: Seeing Performance through the Eyes of Another
  2. Jennifer Parker-Starbuck
  3. pp. 125-136
  4. DOI: 10.1353/tt.2014.0021
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  1. “It’s New Eyes We’re Trying to Create”: Speaking with Blind Summit’s Mark Down
  2. Mary Elizabeth Anderson
  3. pp. 137-144
  4. DOI: 10.1353/tt.2014.0023
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  1. Directing When You Are Not a Director: A Creative Process
  2. Nathan Gabriel
  3. pp. 151-158
  4. DOI: 10.1353/tt.2014.0014
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  1. Political and Protest Theatre after 9/11: Patriotic Dissent ed. by Jenny Spencer (review)
  2. Lindsey Mantoan
  3. pp. 159-160
  4. DOI: 10.1353/tt.2014.0016
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  1. Encountering Ensemble ed. by John Britton (review)
  2. Rebecca Hewett
  3. pp. 160-161
  4. DOI: 10.1353/tt.2014.0018
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  1. Body and Performance ed. by Sandra Reeve (review)
  2. Meg Brooker
  3. pp. 161-162
  4. DOI: 10.1353/tt.2014.0020
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  1. Getting the Joke: The Inner Workings of Stand-up Comedy 2nd ed. by Oliver Double (review)
  2. Katelyn Hale Wood
  3. p. 164
  4. DOI: 10.1353/tt.2014.0025
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  1. The Great White Way: Race and the Broadway Musical by Warren Hoffman (review)
  2. Zachary A. Dorsey
  3. p. 165
  4. DOI: 10.1353/tt.2014.0013
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  1. A Note from the Editor
  2. Gwendolyn Alker
  3. pp. ix-x
  4. DOI: 10.1353/tt.2014.0024
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