restricted access   Volume 24, Number 2, June 2014

Table of Contents

A Note from the Editor

pp. ix-x

Reflections from Former Editors

pp. 71-84

The Bucket Brigade: ATHE President’s Address, 2013

pp. 85-88


Playing Jewish at the National Asian American Theatre Company

pp. 89-102

“Hey, asshole: you had your say”: The Performance of Theatre Criticism

pp. 103-124

The Spectator and Her Double: Seeing Performance through the Eyes of Another

pp. 125-136

Notes from the Field

“It’s New Eyes We’re Trying to Create”: Speaking with Blind Summit’s Mark Down

pp. 137-144

The “Open-Sourced” Hamburg Dramaturgy: A Twenty-first-Century Invitation to Interact with an Eighteenth-Century Work in Progress

pp. 145-148

Directing When You Are Not a Director: A Creative Process

pp. 151-158

Book Reviews

Political and Protest Theatre after 9/11: Patriotic Dissent ed. by Jenny Spencer (review)

pp. 159-160

Encountering Ensemble ed. by John Britton (review)

pp. 160-161

Body and Performance ed. by Sandra Reeve (review)

pp. 161-162

The Methuen Drama Guide to Contemporary American Playwrights ed. by Martin Middeke, Peter Paul Schnierer, Christopher Innes, and Matthew C. Roudané (review)

p. 163

Getting the Joke: The Inner Workings of Stand-up Comedy 2nd ed. by Oliver Double (review)

p. 164

The Great White Way: Race and the Broadway Musical by Warren Hoffman (review)

p. 165