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Table of Contents

  1. Fear of the Dark: Surrealist Shadows in The Nigger of the “Narcissus”
  2. Nidesh Lawtoo
  3. pp. 227-250
  4. DOI: https://doi.org/10.1353/mfs.2014.0031
  5. restricted access
  1. Writing Politically: Dorothy Canfield and the “Wrongness of the World”
  2. Janis P. Stout
  3. pp. 251-275
  4. DOI: https://doi.org/10.1353/mfs.2014.0019
  5. restricted access
  1. Black Boy No More?: Violence and the Flight from Blackness in Richard Wright’s Native Son
  2. Kadeshia L. Matthews
  3. pp. 276-297
  4. DOI: https://doi.org/10.1353/mfs.2014.0016
  5. restricted access
  1. Nonsense, Ordinary Language Philosophy, and Flann O’Brien’s The Third Policeman
  2. John Attridge
  3. pp. 298-319
  4. DOI: https://doi.org/10.1353/mfs.2014.0028
  5. restricted access
  1. Samuel Beckett’s “Echo’s Bones”: Politics and Entailment in the Irish Free-State
  2. James McNaughton
  3. pp. 320-344
  4. DOI: https://doi.org/10.1353/mfs.2014.0033
  5. restricted access
  1. Recognition, Political and Interpersonal: Gay Tribalism in Witi Ihimaera’s The Uncle’s Story
  2. Yanwei Tan
  3. pp. 366-386
  4. DOI: https://doi.org/10.1353/mfs.2014.0022
  5. restricted access
  1. The Cinema and the Origins of Literary Modernism by Andrew Shail (review)
  2. Manuel Betancourt
  3. pp. 388-390
  4. DOI: https://doi.org/10.1353/mfs.2014.0024
  5. restricted access
  1. No Accident, Comrade: Chance and Design in Cold War American Narratives by Steven Belletto (review)
  2. Joseph Darda
  3. pp. 390-393
  4. DOI: https://doi.org/10.1353/mfs.2014.0027
  5. restricted access
  1. Dislocalism: The Crisis of Globalization and the Remobilizing of Americanism by Sarika Chandra (review)
  2. Nilak Datta
  3. pp. 393-396
  4. DOI: https://doi.org/10.1353/mfs.2014.0030
  5. restricted access
  1. No More Heroes: Narrative Perspective and Morality in Cormac McCarthy by Lydia R. Cooper (review)
  2. David A. Davis
  3. pp. 396-399
  4. DOI: https://doi.org/10.1353/mfs.2014.0034
  5. restricted access
  1. Women Modernists and Fascism by Annalisa Zox-Weaver (review)
  2. Stephanie Hawkins
  3. pp. 399-402
  4. DOI: https://doi.org/10.1353/mfs.2014.0017
  5. restricted access
  1. Enchanted Objects: Visual Art in Contemporary Fiction by Allan Hepburn (review)
  2. Lisa Mendelman
  3. pp. 408-410
  4. DOI: https://doi.org/10.1353/mfs.2014.0026
  5. restricted access
  1. Virgin and Veteran Readings of Ulysses by Margot Norris (review)
  2. John L. Moore
  3. pp. 411-413
  4. DOI: https://doi.org/10.1353/mfs.2014.0029
  5. restricted access
  1. Melting Pot Modernism by Sarah Wilson (review)
  2. Jolie A. Sheffer
  3. pp. 413-416
  4. DOI: https://doi.org/10.1353/mfs.2014.0032
  5. restricted access
  1. 2013 Margaret Church MFS Memorial Prize
  2. pp. iv-v
  3. DOI: https://doi.org/10.1353/mfs.2014.0015
  4. restricted access
  1. Contributors
  2. pp. 417-418
  3. DOI: https://doi.org/10.1353/mfs.2014.0018
  4. restricted access