We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 60, Number 2, Summer 2014

Table of Contents

2013 Margaret Church MFS Memorial Prize

pp. iv-v


Fear of the Dark: Surrealist Shadows in The Nigger of the “Narcissus”

pp. 227-250

Writing Politically: Dorothy Canfield and the “Wrongness of the World”

pp. 251-275

Black Boy No More?: Violence and the Flight from Blackness in Richard Wright’s Native Son

pp. 276-297

Nonsense, Ordinary Language Philosophy, and Flann O’Brien’s The Third Policeman

pp. 298-319

Samuel Beckett’s “Echo’s Bones”: Politics and Entailment in the Irish Free-State

pp. 320-344

The Sacred and the Secular: Spirituality, Aesthetics, and Politics in Rudyard Kipling’s Kim and Vikram Chandra’s Sacred Games

pp. 345-365

Recognition, Political and Interpersonal: Gay Tribalism in Witi Ihimaera’s The Uncle’s Story

pp. 366-386

Book Reviews

The Cinema and the Origins of Literary Modernism by Andrew Shail (review)

pp. 388-390

No Accident, Comrade: Chance and Design in Cold War American Narratives by Steven Belletto (review)

pp. 390-393

Dislocalism: The Crisis of Globalization and the Remobilizing of Americanism by Sarika Chandra (review)

pp. 393-396

No More Heroes: Narrative Perspective and Morality in Cormac McCarthy by Lydia R. Cooper (review)

pp. 396-399

Women Modernists and Fascism by Annalisa Zox-Weaver (review)

pp. 399-402

The Genius of Democracy: Fictions of Gender and Citizenship in the United States, 1860–1945 by Victoria Olwell (review)

pp. 402-405

Americanizing Britain: The Rise of Modernism in the Age of the Entertainment Empire by Genevieve Abravanel (review)

pp. 405-408

Enchanted Objects: Visual Art in Contemporary Fiction by Allan Hepburn (review)

pp. 408-410

Virgin and Veteran Readings of Ulysses by Margot Norris (review)

pp. 411-413

Melting Pot Modernism by Sarah Wilson (review)

pp. 413-416


pp. 417-418

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access