Volume 32, Number 3, Spring 2014

Table of Contents

Articles

Walter Benjamin’s Karl Kraus: Negation, Quotation, and Jewish Identity

pp. 1-29
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The Unmarked Chains of Paper Clips

pp. 30-49
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A Poetics of Testimony and Trauma Healing in Anne Michaels’s Fugitive Pieces

pp. 50-71
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Vampires and Witches and Commandos, Oy Vey: Comic Book Appropriations of Lilith

pp. 72-101
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Why is There No Jewish Surrealism?

pp. 102-119
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Book Reviews

Abraham Joshua Heschel. The Call of Transcendence by Shai Held (review)

pp. 120-123
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The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe by Olga Gershenson (review)

pp. 123-126
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The Modernity of Others: Jewish Anti-Catholicism in Germany and France by Ari Joskowicz (review)

pp. 126-128
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Jewish and Christian Approaches to the Psalms: Conflict and Convergence ed. by Susan Gillingham (review)

pp. 128-131
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There Was a Fire: Jews, Music, and the American Dream by Ben Sidran (review)

pp. 131-133
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Rediscovering Eve: Ancient Israelite Women in Context by Carol Meyers (review)

pp. 133-137
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God, Jews and the Media: Religion and Israel’s Media by Yoel Cohan (review)

pp. 137-139
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Roman Vinai (Viennese Novel) by David Vogel (review)

pp. 139-142
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The Holocaust in Italian Culture, 1944–2010 by Robert S. C. Gordon (review)

pp. 142-145
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Holocaust Survivors: Resettlement, Memories, Identities ed. by Dalia Ofer, Françoise S. Ouzan, and Judy Tydor Baumel-Schwartz (review)

pp. 146-148
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A Book Forged in Hell: Spinoza’s Scandalous Treatise and the Birth of the Secular Age by Steven Nadler (review)

pp. 148-151
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Gustav Mahler by Jens Malte Fischer (review)

pp. 151-153
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Contributors

pp. 155-156
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