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Table of Contents

  1. Performing “A Ra-ree Show”: Political Spectacle and the Treason Trial of Stephen College
  2. Jane Wessel
  3. pp. 3-17
  4. DOI: https://doi.org/10.1353/rst.2014.0003
  5. restricted access
  1. Anne Finch as Playwright: The Purposes of Manuscript and Print in Her Pro-Stuart Plays
  2. Claudia Kairoff
  3. pp. 19-40
  4. DOI: https://doi.org/10.1353/rst.2014.0005
  5. restricted access
  1. “I will write Whore with this Penknife in your Face”: Female Amatory Letters, the Body, and Violence in Wycherley’s The Country Wife
  2. Kathleen M. Oliver
  3. pp. 41-60
  4. DOI: https://doi.org/10.1353/rst.2014.0007
  5. restricted access
  1. Happy Violence: Bentley, Lucretius, and the Prehistory of Freethinking
  2. Jonathan C. Williams
  3. pp. 61-80
  4. DOI: https://doi.org/10.1353/rst.2014.0008
  5. restricted access
  1. Friendship’s Shadows: Women’s Friendship and the Politics of Betrayal in England, 1640-1705 by Penelope Anderson (review)
  2. Catharine Gray
  3. pp. 81-83
  4. DOI: https://doi.org/10.1353/rst.2014.0000
  5. restricted access
  1. The Ashgate Research Companion to Henry Purcell by Rebecca Herissone, ed. (review)
  2. Martin Adams
  3. pp. 83-86
  4. DOI: https://doi.org/10.1353/rst.2014.0001
  5. restricted access
  1. Arbitrary Rule: Slavery, Tyranny, and the Power of Life and Death by Mary Nyquist (review)
  2. Andrew Fleck
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/rst.2014.0002
  5. restricted access
  1. The Liar by Writers Theatre (review)
  2. John Shanahan
  3. pp. 89-93
  4. DOI: https://doi.org/10.1353/rst.2014.0004
  5. restricted access
  1. Some Current Publications
  2. Royce Best
  3. pp. 95-104
  4. DOI: https://doi.org/10.1353/rst.2014.0006
  5. restricted access