1. Wilde the Irishman Reconsidered: “The Muses care so little for geography!”
  2. Anne Markey
  3. pp. 443-462
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  1. Reconsidering a “Neglected Classic” and Widening the Canon of World War I Poetry: The Song of Tiadatha
  2. Andrew Scragg
  3. pp. 463-479
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  1. Isabella Bird and Japonisme Travel Writing: Common Interests
  2. Elizabeth McAdams
  3. pp. 480-496
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  1. Adventures in the Marketplace with H. Rider Haggard: Author-Publisher Relations in Mr. Meeson’s Will
  2. Michelle Allen-Emerson
  3. pp. 497-518
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  1. Bram Stoker’s The Lady of the Shroud: Supernatural Fantasy, Politics, Montenegro and Its Double
  2. Lisa Hopkins
  3. pp. 519-534
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  1. The Stillness East of Ypres
  2. Stanley Weintraub
  3. pp. 535-538
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  1. Wilde & the Classics
  2. Josephine M. Guy
  3. pp. 539-542
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  1. Science, Evolution & Ecology
  2. Roger Luckhurst
  3. pp. 542-545
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  1. The Novel as an Evolving Genre
  2. William J. Scheick
  3. pp. 545-548
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  1. Surveying Conrad Criticism
  2. Stephen E. Tabachnick
  3. pp. 548-553
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  1. Hardy in Context
  2. Danielle Nielsen
  3. pp. 553-556
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  1. Juvenilia, Money-Makers, & Masterpieces
  2. M. D. Allen
  3. pp. 556-559
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  1. Hallucination & Literature, 1880–1914
  2. Sharla Hutchison
  3. pp. 559-562
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  1. The Only Unforgivable Sin: On Boredom & Being Bored
  2. Jamie Horrocks
  3. pp. 562-566
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  1. Modernism & Magic
  2. Lee Garver
  3. pp. 566-570
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  1. Victorian Gothic Cityscape
  2. Elizabeth Ryba
  3. pp. 570-573
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  1. Shaw on Duty
  2. Jean Reynolds
  3. pp. 573-576
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  1. Methuen’s Edition: Shaw’s Mrs Warren’s Profession
  2. Nelson O’Ceallaigh Ritschel
  3. pp. 576-579
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  1. Modern Irish Drama
  2. Brian W. Shaffer
  3. pp. 579-583
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