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  Volume 32, Number 2, Summer 2014

Table of Contents

Articles

The Poetics of Shakespearean Animation

pp. 159-183
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“I do care for something”: Twelfth Night’s Feste and the Performance of Character

pp. 185-206
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Culture Clash: What the Wooster Group revealed about the RSC (and British theater hegemony) in Troilus & Cressida.

pp. 207-233
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“In States Unborn and Accents Yet Unknown”: Spectral Shakespeare in Paolo and Vittorio Taviani’s Cesare deve morire (Caesar Must Die).

pp. 235-253
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Special Reviews Section:
Live Cinema Relays of Shakespearean Performance
Edited by Susanne Greenhalgh

Guest Editor’s Introduction

pp. 255-261
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Hamlet performed by the Royal National Theatre (review)

pp. 261-263
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King Lear performed by the Donmar Warehouse (review)

pp. 264-266
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Macbeth performed by the Manchester International Festival (St Peter’s Church) (review)

pp. 266-269
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Othello performed by the Royal National Theatre (review)

pp. 269-272
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Richard II performed by the Royal Shakespeare Company (RST) (review)

pp. 272-275
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Coriolanus performed by the Donmar Warehouse (review)

pp. 275-278
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Performance Reviews

A Midsummer Night’s Dream performed by the Michael Grandage Company (review)

pp. 279-282
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Macbeth performed by the Lincoln Center Theater (Vivian Beaumont) (review)

pp. 282-286
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Much Ado About Nothing performed by the The Old Vic (review)

pp. 286-289
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The Knight of the Burning Pestle performed by the Shakespeare’s Globe (Sam Wanamaker Playhouse) (review)

pp. 289-294
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The Duchess of Malfi performed by the Shakespeare’s Globe (Sam Wanamaker Playhouse) (review)

pp. 294-297
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The Tempest performed by the American Ballet Theatre (David H. Koch Theater) (review)

pp. 298-301
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As You Like It performed by the Shakespeare Theatre of New Jersey (Outdoor Stage, College of St. Elizabeth), and: Pericles performed by the Shakespeare Theatre of New Jersey (F.M. Kirby Shakespeare Theatre, Drew University) (review)

pp. 301-307
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A Midsummer Night’s Dream performed by the Theatre for a New Audience (Polonsky Shakespeare Centre) (review)

pp. 307-310
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Antony and Cleopatra performed by the Royal Shakespeare Company (Swan), and: Richard II performed by the Royal Shakespeare Company (RST), and: Thomas of Woodstock performed by the Royal Shakespeare Company (Barbican Theatre) (review)

pp. 310-319
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Richard III performed by the Folger Theatre (Elizabethan Theatre) (review)

pp. 319-323
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Macbeth performed by the Manchester International Festival (St Peter’s Church), and: Coriolanus performed by the Donmar Warehouse (review)

pp. 323-328
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