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Table of Contents

  1. Page 2: Don’t Fear the Reaper
  2. Jeffrey R. Di Leo
  3. pp. 2-25
  4. DOI: https://doi.org/10.1353/abr.2014.0004
  5. restricted access
  1. Generous Poetry Generator
  2. Mark C. Marino
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.2014.0013
  5. restricted access
  1. Outsourced Poetics
  2. Rita Raley
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.2014.0006
  5. restricted access
  1. Reading (Between) Machine
  2. Jessica Pressman
  3. p. 6
  4. DOI: https://doi.org/10.1353/abr.2014.0017
  5. restricted access
  1. Without Innocence
  2. Susan Vanderborg
  3. p. 7
  4. DOI: https://doi.org/10.1353/abr.2014.0021
  5. restricted access
  1. The Great Silence
  2. Joseph Bates
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/abr.2014.0025
  5. restricted access
  1. History Inside Out
  2. Elizabeth J. Colen
  3. p. 9
  4. DOI: https://doi.org/10.1353/abr.2014.0002
  5. restricted access
  1. Galloping on a Giraffe
  2. Alain Arias-Misson
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/abr.2014.0007
  5. restricted access
  1. All in the Retelling
  2. Jessica Berger
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.2014.0011
  5. restricted access
  1. Picking My Madmen
  2. Lynn Pruett
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2014.0015
  5. restricted access
  1. A Boy Named David
  2. Anthony Uhlmann
  3. p. 14
  4. DOI: https://doi.org/10.1353/abr.2014.0019
  5. restricted access
  1. Shaping Belief
  2. John L. Bell
  3. p. 15
  4. DOI: https://doi.org/10.1353/abr.2014.0023
  5. restricted access
  1. Life-Writers
  2. Thomas Larson
  3. pp. 16-18
  4. DOI: https://doi.org/10.1353/abr.2014.0000
  5. restricted access
  1. World of Cool
  2. John Tytell
  3. pp. 17-20
  4. DOI: https://doi.org/10.1353/abr.2014.0005
  5. restricted access
  1. For Beggars and Kings
  2. Kyle Minor
  3. p. 18
  4. DOI: https://doi.org/10.1353/abr.2014.0010
  5. restricted access
  1. Raw Revelations
  2. Beth McDermott
  3. pp. 19-22
  4. DOI: https://doi.org/10.1353/abr.2014.0014
  5. restricted access
  1. The Finest Gun Juggler
  2. Brooke Wonders
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2014.0018
  5. restricted access
  1. Tour Guide
  2. Ken Jones
  3. pp. 21-24
  4. DOI: https://doi.org/10.1353/abr.2014.0022
  5. restricted access
  1. Creating One’s Self
  2. Hasanthika Sirisena
  3. p. 22
  4. DOI: https://doi.org/10.1353/abr.2014.0026
  5. restricted access
  1. Undesirables
  2. Rosalie Calabrese
  3. p. 23
  4. DOI: https://doi.org/10.1353/abr.2014.0003
  5. restricted access
  1. Dr. Strangelove
  2. CL Bledsoe
  3. p. 24
  4. DOI: https://doi.org/10.1353/abr.2014.0008
  5. restricted access
  1. Reading Optional
  2. Daniel Green
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/abr.2014.0012
  5. restricted access
  1. Promising Green Bear
  2. Daniel Leary
  3. pp. 27-28
  4. DOI: https://doi.org/10.1353/abr.2014.0016
  5. restricted access
  1. Chew Your Food
  2. Valerie Bandura
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.2014.0020
  5. restricted access
  1. American Male Failure
  2. Alex DeBonis
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2014.0024
  5. restricted access
  1. The Venice Biennale
  2. Alain Arias-Misson
  3. p. 31
  4. DOI: https://doi.org/10.1353/abr.2014.0001
  5. restricted access
  1. Introduction to Focus: 00.0 Machine Writing
  2. Steve Tomasula
  3. pp. 3-7
  4. DOI: https://doi.org/10.1353/abr.2014.0009
  5. restricted access