1. Editors’ Note
  2. p. 7
  3. DOI: 10.1353/vcr.2013.0018
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  1. The York Retreat
  2. Barry Edginton
  3. pp. 9-13
  4. DOI: 10.1353/vcr.2013.0024
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  1. Orrell’s Cotton Factory
  2. Tamara Ketabgian
  3. pp. 13-17
  4. DOI: 10.1353/vcr.2013.0030
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  1. Littlemore Church
  2. G. A. Bremner
  3. pp. 18-22
  4. DOI: 10.1353/vcr.2013.0001
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  1. The Thames Tunnel
  2. Paul Dobraszczyk
  3. pp. 22-25
  4. DOI: 10.1353/vcr.2013.0006
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  1. The First Public Toilet?: Rose Street, Soho
  2. Barbara Penner
  3. pp. 26-30
  4. DOI: 10.1353/vcr.2013.0011
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  1. Bayswater
  2. Todd Kuchta
  3. pp. 30-35
  4. DOI: 10.1353/vcr.2013.0016
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  1. The St. George’s Museum
  2. Marcus Waithe
  3. pp. 35-40
  4. DOI: 10.1353/vcr.2013.0022
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  1. Everton Public Library
  2. Alistair Black
  3. pp. 40-44
  4. DOI: 10.1353/vcr.2013.0028
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  1. The Bedford Music Hall
  2. Barry J. Faulk
  3. pp. 44-50
  4. DOI: 10.1353/vcr.2013.0033
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  1. University College Hospital
  2. Keir Waddington
  3. pp. 50-54
  4. DOI: 10.1353/vcr.2013.0004
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  1. No Clocks in His Castle: The Threat of the Durée in Bram Stoker’s Dracula
  2. Alana Fletcher
  3. pp. 55-69
  4. DOI: 10.1353/vcr.2013.0009
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  1. Twins, Twinship, and Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde
  2. Emily A. Bernhard Jackson
  3. pp. 70-86
  4. DOI: 10.1353/vcr.2013.0014
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  1. Charting Culture: Cartography and National Identity in Matthew Arnold’s “Ordnance Maps”
  2. Shannon Gilstrap
  3. pp. 87-100
  4. DOI: 10.1353/vcr.2013.0020
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  1. The Ranter and the Lyric: Reform and Genre Heterogeneity in Ebenezer Elliott’s Corn Law Rhymes
  2. Jayne Hildebrand
  3. pp. 101-124
  4. DOI: 10.1353/vcr.2013.0026
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  1. Stevenson in the Third Republic: Fiction and Liberalization
  2. Robert P. Irvine
  3. pp. 125-140
  4. DOI: 10.1353/vcr.2013.0031
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  1. George Gissing’s Demos: Public Discourse and the “Many-Headed Monster” of Socialism
  2. Inna Volkova
  3. pp. 141-157
  4. DOI: 10.1353/vcr.2013.0002
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  1. The Gendering of Habit in George Eliot’s Middlemarch
  2. Jennifer Judge
  3. pp. 158-181
  4. DOI: 10.1353/vcr.2013.0007
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  1. The Serial Reader and the Corporate Text: Hard Times and North and South
  2. Melissa Schaub
  3. pp. 182-199
  4. DOI: 10.1353/vcr.2013.0012
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  1. Picturing Reform in Victorian Britain by Janice Carlisle (review)
  2. David Buchanan
  3. pp. 201-202
  4. DOI: 10.1353/vcr.2013.0017
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  1. The Architecture of Sharpe, Paley and Austin by Geoff Brandwood (review)
  2. Martin Spies
  3. pp. 205-206
  4. DOI: 10.1353/vcr.2013.0029
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  1. The Nineteenth-Century Sensation Novel by Lyn Pykett (review)
  2. Max Fincher
  3. pp. 206-208
  4. DOI: 10.1353/vcr.2013.0000
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  1. Women, Dissent, and Anti-Slavery in Britain and America, 1790–1865 ed. by Elizabeth J. Clapp, Julie Roy Jeffrey (review)
  2. Larisa S. Asaeli
  3. pp. 208-211
  4. DOI: 10.1353/vcr.2013.0005
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  1. The Cambridge Companion to English Literature, 1830–1914 ed. by Joanne Shattock (review)
  2. Linda H. Peterson
  3. pp. 211-212
  4. DOI: 10.1353/vcr.2013.0010
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  1. Time and the Moment in Victorian Literature and Society by Sue Zemka (review)
  2. Stefanie Markovits
  3. pp. 213-215
  4. DOI: 10.1353/vcr.2013.0015
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  1. Empire in Question: Reading, Writing, and Teaching British Imperialism by Antoinette Burton (review)
  2. Mark Hampton
  3. pp. 215-216
  4. DOI: 10.1353/vcr.2013.0021
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  1. Victorian Poets and the Changing Bible by Charles LaPorte (review)
  2. Wendy Williams
  3. pp. 219-221
  4. DOI: 10.1353/vcr.2013.0032
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  1. The Rise and Fall of Meter: Poetry and English National Culture, 1860–1930 by Meredith Martin (review)
  2. Michael D. Hurley
  3. pp. 221-223
  4. DOI: 10.1353/vcr.2013.0003
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  1. Novel Craft: Victorian Domestic Handicraft and Nineteenth-Century Fiction by Talia Schaffer (review)
  2. Janice Helland
  3. pp. 223-225
  4. DOI: 10.1353/vcr.2013.0008
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  1. How to Do Things with Books in Victorian Britain by Leah Price (review)
  2. Solveig C. Robinson
  3. pp. 228-231
  4. DOI: 10.1353/vcr.2013.0019
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  1. Contributors
  2. pp. 233-238
  3. DOI: 10.1353/vcr.2013.0025
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