We cannot verify your location
Browse Book and Journal Content on Project MUSE
OR

  Volume 66, Number 2, May 2014

Table of Contents

Editorial Comment

pp. ix-x
|

Essays

Relics of Bioart: Ethics and Messianic Aesthetics in Performance Documentation

pp. 183-205
|

The Theatre and Its Screen Double

pp. 207-225
|

Misogyny, Maids, and Murderesses: Toward a Feminist Reappraisal of Jean Genet’s Les Bonnes

pp. 227-240
|

“Come and see what we do”: Contemporary Migrant Performances in Athens, Greece

pp. 241-255
|

Performance Reviews

Testimonium by Matthew Goulish (review)

pp. 257-260
|

Apátrida, Doscientos Años y Unos Meses by Rafael Spregelburd (review)

pp. 260-261
|

12-Spartenhaus Directed by Vegard Vinge, Ida Müller, and Trond Reinholdtsen (review)

pp. 262-263
|

Ciara by David Harrower, and: The Events by David Greig (review)

pp. 264-266
|

Head of Passes by Tarell Alvin McCraney (review)

pp. 266-268
|

Hungry Woman by Josefina López (review)

pp. 268-270
|

Love in Afghanistan by Charles Randolph-Wright (review)

pp. 270-272
|

The Tallest Tree in the Forest by Daniel Beaty (review)

pp. 272-274
|

Ri Kōran by Asari Keita (review)

pp. 274-276
|

The Jungle Book directed by Mary Zimmerman (review)

pp. 276-278
|

The Two Character Play by Tennessee Williams (review)

pp. 278-279
|

Mary Stuart by Friedrich Schiller, and: Romeo and Juliet by William Shakespeare (review)

pp. 279-283
|

The Nance by Douglas Carter Beane (review)

pp. 283-286
|

Matsukaze by Toshio Hosokawa, and: Shun-Kin Directed by Simon McBurney (review)

pp. 286-290
|

Book Reviews

Review Essay

Theatre and the Vanguards of the Arab Spring

pp. 291-300
|

Religion, Theatre, and Performance: Acts of Faith Edited by Lance Gharavi (review)

pp. 301-302
|

Sensational Devotion: Evangelical Performance in Twenty-First-Century America by Jill Stevenson (review)

pp. 302-303
|

Wonder of Wonders: A Cultural History of Fiddler on the Roof by Alisa Solomon (review)

pp. 303-304
|

Theatrical Liberalism: Jews and Popular Entertainment in America by Andrea Most (review)

pp. 304-306
|

Theatre and War: Theatrical Responses Since 1991 by Jeanne Colleran (review)

pp. 306-307
|

Staging Age: The Performance of Age in Theatre, Dance, and Film Edited by Valerie Barnes Lipscomb and Leni Marshall (review)

pp. 307-308
|

The Politics of Rape: Sexual Atrocity, Propaganda Wars, and The Restoration Stage by Jennifer L. Airey (review)

pp. 308-310
|

An Actress Prepares: Women and “The Method” by Rosemary Malague (review)

pp. 310-311
|

Performing Queer Latinidad: Dance, Sexulity, Politics by Ramón H. Rivera-Servera (review)

pp. 311-312
|

David Mamet and American Macho by Arthur Holmberg (review)

pp. 312-314
|

Taking it to the Bridge: Music as Performance Edited by Nicholas Cook and Richard Pettengill (review)

pp. 314-315
|

The Post-Traumatic Theatre of Grotowski and Kantor: History and Holocaust in Akropolis and Dead Class by Magda Romanska (review)

pp. 315-316
|

The Piscator Notebook by Judith Malina (review)

pp. 316-318
|

As If: An Autobiography, Volume 1 by Herbert Blau, and: Reality Principles: From The Absurd to The Virtual by Herbert Blau (review)

pp. 318-319
|

Books Received

pp. 320-328
|

Doctoral Projects in Progress in Theatre Arts, 2014

pp. 331-335
|

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access