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  Volume 66, Number 2, May 2014

Table of Contents

Editorial Comment

pp. ix-x


Relics of Bioart: Ethics and Messianic Aesthetics in Performance Documentation

pp. 183-205

The Theatre and Its Screen Double

pp. 207-225

Misogyny, Maids, and Murderesses: Toward a Feminist Reappraisal of Jean Genet’s Les Bonnes

pp. 227-240

“Come and see what we do”: Contemporary Migrant Performances in Athens, Greece

pp. 241-255

Performance Reviews

Testimonium by Matthew Goulish (review)

pp. 257-260

Apátrida, Doscientos Años y Unos Meses by Rafael Spregelburd (review)

pp. 260-261

12-Spartenhaus Directed by Vegard Vinge, Ida Müller, and Trond Reinholdtsen (review)

pp. 262-263

Ciara by David Harrower, and: The Events by David Greig (review)

pp. 264-266

Head of Passes by Tarell Alvin McCraney (review)

pp. 266-268

Hungry Woman by Josefina López (review)

pp. 268-270

Love in Afghanistan by Charles Randolph-Wright (review)

pp. 270-272

The Tallest Tree in the Forest by Daniel Beaty (review)

pp. 272-274

Ri Kōran by Asari Keita (review)

pp. 274-276

The Jungle Book directed by Mary Zimmerman (review)

pp. 276-278

The Two Character Play by Tennessee Williams (review)

pp. 278-279

Mary Stuart by Friedrich Schiller, and: Romeo and Juliet by William Shakespeare (review)

pp. 279-283

The Nance by Douglas Carter Beane (review)

pp. 283-286

Matsukaze by Toshio Hosokawa, and: Shun-Kin Directed by Simon McBurney (review)

pp. 286-290

Book Reviews

Review Essay

Theatre and the Vanguards of the Arab Spring

pp. 291-300

Religion, Theatre, and Performance: Acts of Faith Edited by Lance Gharavi (review)

pp. 301-302

Sensational Devotion: Evangelical Performance in Twenty-First-Century America by Jill Stevenson (review)

pp. 302-303

Wonder of Wonders: A Cultural History of Fiddler on the Roof by Alisa Solomon (review)

pp. 303-304

Theatrical Liberalism: Jews and Popular Entertainment in America by Andrea Most (review)

pp. 304-306

Theatre and War: Theatrical Responses Since 1991 by Jeanne Colleran (review)

pp. 306-307

Staging Age: The Performance of Age in Theatre, Dance, and Film Edited by Valerie Barnes Lipscomb and Leni Marshall (review)

pp. 307-308

The Politics of Rape: Sexual Atrocity, Propaganda Wars, and The Restoration Stage by Jennifer L. Airey (review)

pp. 308-310

An Actress Prepares: Women and “The Method” by Rosemary Malague (review)

pp. 310-311

Performing Queer Latinidad: Dance, Sexulity, Politics by Ramón H. Rivera-Servera (review)

pp. 311-312

David Mamet and American Macho by Arthur Holmberg (review)

pp. 312-314

Taking it to the Bridge: Music as Performance Edited by Nicholas Cook and Richard Pettengill (review)

pp. 314-315

The Post-Traumatic Theatre of Grotowski and Kantor: History and Holocaust in Akropolis and Dead Class by Magda Romanska (review)

pp. 315-316

The Piscator Notebook by Judith Malina (review)

pp. 316-318

As If: An Autobiography, Volume 1 by Herbert Blau, and: Reality Principles: From The Absurd to The Virtual by Herbert Blau (review)

pp. 318-319

Books Received

pp. 320-328

Doctoral Projects in Progress in Theatre Arts, 2014

pp. 331-335

Research Areas


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