1. Live Transmission / Performative Drawing
  2. Morgan O’Hara
  3. pp. 2-5
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  1. Voyage of the Transfer
  2. Tony Orrico
  3. pp. 6-9
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  1. On Vanishing: New Mythologies for Choreography in the Museum
  2. Jonah Bokaer
  3. pp. 10-13
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  1. Only This Time
  2. Graeme Miller
  3. pp. 14-17
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  1. Aria for Woven Voice
  2. Caroline Bergvall
  3. pp. 18-21
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  1. Gather and Burn
  2. Romeo Castellucci, Joseph Cermatori
  3. pp. 22-25
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  1. Lifelines
  2. Anne Bean
  3. pp. 26-29
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  1. Drawing as a Veinous System
  2. Carolee Schneemann
  3. pp. 30-34
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  1. Drawing My Way In
  2. Joan Jonas, Bonnie Marranca, Claire MacDonald
  3. pp. 35-57
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  1. Spatial Profiling: (After Margaret Dragu’s Eine Kleine Nacht Radio)
  2. Francisco-Fernando Granados
  3. pp. 58-61
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  1. Axial Drawing
  2. George Quasha
  3. pp. 62-65
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  1. Scripts of Time and Absence
  2. Kirsten Justesen
  3. pp. 66-69
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  1. Score (From Recto/Verso)
  2. Brennan Gerard, Ryan Kelly
  3. pp. 70-73
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  1. Performance Art and Drawing
  2. Clifford Owens
  3. pp. 74-77
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  1. (Two Minutes) Very Peaceful: A Note on Drawings for Performance
  2. Tim Etchells
  3. pp. 78-81
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  1. Writing About Drawing
  2. Meredith Monk
  3. pp. 82-85
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  1. How Do You Translate a Text That is Not a Text? How Do You Perform a Score That is Not a Score?
  2. Warren Neidich
  3. pp. 86-91
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  1. Graphis No. 19 (Act One of Saint Joan at Beaurevoir), and: Graphis No. 82, and: Graphis No. 89, For a Drama
  2. Dick Higgins
  3. pp. 96-98
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  1. Participation and its Discontents
  2. Bertie Ferdman
  3. pp. 99-107
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  1. Group Think
  2. Eleanor Antin, Suzanne Lacy, Gillian Turner Young
  3. pp. 108-114
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  1. Dance Between Performance and Image
  2. Emily Carson Coates
  3. pp. 116-124
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  1. The Art of “Thaeter”: How to Create Social Change While Entertaining
  2. Paul David Young
  3. pp. 125-131
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  1. Work on Paper
  2. Bonnie Marranca
  3. pp. vi-1
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  1. Lines of Thought: The Graphis Series of Dick Higgins
  2. Bonnie Marranca
  3. pp. 92-95
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