1. Editorial
  2. pp. 6-7
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  1. Postmodern Performance Two Views: The End of Humanism
  2. Richard Schechner
  3. pp. 9-22
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  1. Postmodern Performance Two Views: The New Humanism
  2. Dick Higgins
  3. pp. 23-32
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  1. The American Playwright: A Life in the Theatre?
  2. Gautam Dasgupta, Michael Earley, Bonnie Marranca
  3. pp. 33-51
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  1. Reminiscenses of a Dance Critic
  2. Edwin Denby
  3. pp. 52-61
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  1. Contemplating the Navel: The Use and Abuse of Video Art
  2. Daryl Chin
  3. pp. 62-69
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  1. Art in the Culture
  2. John Cage, Richard Foreman, Richard Kostelanetz
  3. pp. 70-84
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  1. The Self as Text: Uses of Autobiography in the Theatre (Animations as Model)
  2. Bonnie Marranca
  3. pp. 85-105
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  1. A Lifetime of Dance: Bessie Schoenberg
  2. Bessie Schoenberg, Meg Eginton, John Howell
  3. pp. 106-117
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  1. The City and The Theatre
  2. Stanley A. Waren
  3. pp. 118-124
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  1. Performance Art in New York: Approaching the Eighties
  2. Peter Frank
  3. pp. 125-128
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  1. Broadway Dancin’
  2. Lee Theodore, Glenn Loney
  3. pp. 129-141
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  1. The Jazz-Poetry Connection
  2. Barry Wallenstein
  3. pp. 142-151
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  1. Solo in Soho: The Performer Alone
  2. John Howell
  3. pp. 152-158
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  1. Regional Theatre in America: A Generation Comes of Age
  2. Julius Novick
  3. pp. 159-166
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  1. The Economics of Inspiration: The Failure of Public Funding
  2. Wallace Dace
  3. pp. 167-176
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  1. The American Imagination
  2. Richard Foreman, Stanley Silverman
  3. pp. 177-199
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  1. I was Sitting on My Patio This Guy Appeared I Thought I was Hallucinating
  2. Robert Wilson
  3. pp. 200-218
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