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In this Issue

Table of Contents

  1. Performance in the Culture
  2. The Editors
  3. pp. 4-5
  4. restricted access
  1. How German is It: Thomas Bernhard at the Guthrie
  2. Gitta Honegger
  3. pp. 7-25
  4. restricted access
  1. The German Lunch Table: A Tragedy to be performed by the Vienna State Theatre when Touring Germany
  2. Thomas Bernhard, Gitta Honegger
  3. pp. 26-29
  4. restricted access
  1. The Question of Postmodernism
  2. Ihab Hassan
  3. pp. 30-37
  4. restricted access
  1. The Decline and Fall of the (American) Avant-Garde: Part III—The Responses
  2. The Editors
  3. p. 38
  4. restricted access
  1. Alive Wire or Vital Signs
  2. Matthew Maguire
  3. pp. 39-44
  4. restricted access
  1. Am I Dying While I’m Devouring Life?
  2. Ruth Maleczech
  3. p. 45
  4. restricted access
  1. Perpetual Saturdays
  2. Spalding Gray
  3. pp. 46-49
  4. restricted access
  1. Who Owns History?
  2. Elizabeth LeCompte
  3. pp. 50-53
  4. restricted access
  1. The Politics of Performance
  2. Bonnie Marranca
  3. pp. 54-67
  4. restricted access
  1. Philip Glass: Satyagraha and Contemporary Opera
  2. John Howell
  3. pp. 68-83
  4. restricted access
  1. M.K. Gandhi: The White Robe of Simpleness
  2. Gautam Dasgupta
  3. pp. 84-90
  4. restricted access
  1. Dance, Photography, and the World’s Body
  2. Roger Copeland
  3. pp. 91-96
  4. restricted access
  1. Roger Planchon: “I’m a Museum Guard”
  2. Rosette Lamont
  3. pp. 97-109
  4. restricted access
  1. Requiem
  2. Leonid Andreyev, Daniel Gerould
  3. pp. 113-125
  4. restricted access
  1. A Theatre Divided: Brussels, Belgium
  2. Gautam Dasgupta
  3. pp. 126-129
  4. restricted access
  1. Partial Eclipse: Caracas, Venezuela
  2. Michael Earley
  3. pp. 129-132
  4. restricted access
  1. Highland Fling: Edinburgh, Scotland
  2. Glenn Loney
  3. pp. 133-135
  4. restricted access
  1. Light in the Piazza: Santarcangelo, Italy
  2. Bonnie Marranca
  3. pp. 136-139
  4. restricted access
  1. Victorian Spectacular Theatre: 1850–1910 by Michael R. Booth, and: The Revolution in German Theatre: 1900–1933 by Michael Patterson (review)
  2. Glenn Loney
  3. pp. 140-141
  4. restricted access
  1. Musical Comedy in America by Cecil Smith and Glenn Litton (review)
  2. Michael Earley
  3. pp. 141-142
  4. restricted access
  1. Understudies: Theatre and Sexual Politics by Michelene Wandor (review)
  2. Catherine Bergart
  3. p. 142
  4. restricted access
  1. Richard Foreman and the Ontological-Hysteric Theatre by Kate Davy (review)
  2. M E
  3. pp. 142-143
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  1. Walter Felsenstein inszeniert Mozart/Die Hochzeit des Figaro ed. by Ilse Koban, and: Opera on Operas: Opera in Perspective by John D. Drummond, and: English National Opera Guides, Nos. 1–8. ed. by Nicholas John (review)
  2. G L
  3. pp. 143-144
  4. restricted access
  1. Dramatists Sourcebook ed. by James L. Leverett and David lzakowitz (review)
  2. M E
  3. pp. 144-145
  4. restricted access
  1. The Polish Theatre Magazine Dialog Celebrates Its Twenty-Fifth Anniversary (review)
  2. Daniel Gerould
  3. pp. 145-147
  4. restricted access
  1. Leonid Andreyev: An Introduction
  2. Daniel Gerould
  3. pp. 110-112
  4. restricted access