restricted access   Volume 7, Number 1, 1983 (PAJ 19)

Table of Contents


The Drama in American Letters

pp. 4-6


Squat: Nature Theatre of New York

pp. 7-20

Acts of Translation

pp. 21-26

Postmodern Dance Postmodern Architecture Postmodernism

pp. 27-43

The Play of Misreading: Text/Theatrel Deconstruction

pp. 44-60

Songs United States: Parts I–V

pp. 61-70

Production Notes

Three Sisters by Anton Chekhov (review)

pp. 71-73

Au Grand Soleil D’amour Chargé by Luigi Nono (review)

pp. 73-75

The 3 Travels of Aladin With The Magic Lamp by Francoise Grund (review)

pp. 76-77

Good by C. P. Taylor, and: Master Harold … and the Boys by Athol Fugard, and: Black Angel by Michael Cristofer, and: Edmond by David Mamet, and: Extremities by William Mastrosimone (review)

pp. 78-83

Faust (Parts One and Two) by Johann Wolfgang von Goethe (review)

pp. 83-86

Non-Profit Theatre in America: Where We Are

pp. 87-93

From Bertolt Brecht to Heiner Müller

pp. 94-102

Interview: Working with Puppets

pp. 103-116

Madame Rachilde: “Man” of Letters

pp. 117-122

The Crystal Spider

pp. 123-129

Books and Company

Peter Stein: Germany’s Leading Theatre Director by Michael Patterson (review)

p. 130

American Humorists, 1800–1950 ed. by Stanley Trachtenberg, and: Costumes Through the Ages, and: British Theatre Directory 1982 by John Offors, and: British Alternative Theatre Directory 1982 by Catherine Itzin (review)

pp. 130-132

A Susan Sontag Reader by Susan Sontag (review)

p. 132

“The Theatre We Worked For”: The Letters of Eugene O’Neill to Kenneth Macgowan ed. by Jackson R. Bryer (review)

p. 133

From Stereotype to Metaphor: The Jew in Contemporary Drama by Ellen Schiff, and: Hollywood’s Image of the Jew by Lester D. Friedman (review)

pp. 133-134