1. The Oxford Companion to American Theatre: Friend or Foe
  2. The Editors
  3. pp. 4-6
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  1. A Letter to the New York Times
  2. p. 6
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  1. Anthropology and Theatre: Interviews
  2. Eugenio Barba
  3. pp. 8-18
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  1. Anthropology and Theatre: Interviews
  2. Alessandro Fersen
  3. pp. 19-27
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  1. The Impossible Takes a Little Time
  2. Herbert Blau
  3. pp. 29-42
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  1. The Olympic Arts Festival: “We’re Not Number One”
  2. Gerald Rabkin
  3. pp. 43-58
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  1. The Theatre of Good Intentions
  2. Mac Wellman
  3. pp. 59-70
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  1. Matinée chez la Princesse de Guermantes by Marcel Proust (review)
  2. Rosette Lamont
  3. pp. 71-74
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  1. Rigoletto by Giuseppe Verdi (review)
  2. Glenn Loney
  3. pp. 75-77
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  1. Theatertreffen Berlin 1984 (review)
  2. Bonnie Marranca
  3. pp. 77-82
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  1. Nordisk Teaterfestival 1984, Oslo (review)
  2. Gautam Dasgupta
  3. pp. 83-87
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  1. Benvenuto: New York—Italy by Falso Movimento, Krypton, and La Gaia Scienza (review)
  2. Renfreu Neff
  3. pp. 87-91
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  1. The Theatricality of the Van-Guard: Ideology and Contemporary American Theatre
  2. Timothy Murray
  3. pp. 93-99
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  1. Institutionalizing the Blind Date: The Theatre and the Playwright
  2. Anne Cattaneo
  3. pp. 100-104
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  1. Scene
  2. Eugene Ionesco, Rosette Lamont
  3. pp. 108-112
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  1. Role Playing and Identity: The Limits of Theatrical Metaphor by Bruce Wilshire (review)
  2. Bonnie Marranca
  3. pp. 113-114
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  1. New German Dramatists by Denis Calandra (review)
  2. Adam Parfrey
  3. pp. 114-115
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  1. Hockney Paints the Stage by Martin Friedman (review)
  2. Bonnie Marranca
  3. pp. 115-116
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  1. Dislecta: Miscellaneous Writings and a Dramatic Fragment by Samuel Beckett (review)
  2. Laurie Lassiter
  3. pp. 116-117
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  1. United States by Laurie Anderson (review)
  2. Bonnie Marranca
  3. pp. 117-118
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  1. Ionesco’s Scene: An Introduction
  2. Rosette Lamont
  3. pp. 105-107
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