restricted access   Volume 8, Number 1, 1984 (PAJ 22)

Table of Contents

Editorial

Reviewing Theatre Books

pp. 6-8

Articles

Confessions of an Itinerant Critic

pp. 9-27

The Real Life of Maria Irene Fornes

pp. 29-34

BAM’s Next Wave — I: Making Waves Together

pp. 35-47

Lee Breuer: On “The Gospel of Colonus”

pp. 48-51

BAM’s Next Wave — II: The Avant-Garde in the Marketplace. What Next?

pp. 52-58

Handicapping the Beaumont Stakes

pp. 59-67

Performance Notes

La Tragédie De Carmen by Marius Constant, Jean-Claude Carriére, Peter Brook (review)

pp. 68-72

The Screens by Jean Genet (review)

pp. 72-74

Patrice Chéreau on “The Screens”

pp. 75-77

El Veneno Del Teatro by Rodolf Sirera, and: Hystérie by Opera-Collage: Grupo de Acción Instrumental, and: Isabel, Reina De Corazones by Ricardo López Aranda, and: El Carnaval De Un Reino by José Martín Recuerda (review)

pp. 77-80

Alcina by Handel (review)

pp. 81-83

The Seagull by Anton Chekhov (review)

pp. 83-86

Protest from a Professional Liar

pp. 87-96

Innovative Design on European Stages: From Salzburg to Glasgow

pp. 97-112

Nikolay Evreinov’s “Inspector General”

pp. 113-118

The Inspector General: A Directorial Buffoonery in Five Interpretations of One Excerpt

pp. 119-133

Books and Company

Rehearsals of Revolution by Rustom Bharucha (review)

pp. 134-135

Celebration: Studies in Festivity and Ritual ed. by Victor Turner (review)

pp. 135-136

The Amazing Decade: Women and Performance Art in America 1970–1980 ed. by Moira Roth, and: Women and Performance: A Journal of Feminist Theory (review)

pp. 136-137