1. Reviewing Theatre Books
  2. The Editors
  3. pp. 6-8
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  1. Confessions of an Itinerant Critic
  2. Rustom Bharucha
  3. pp. 9-27
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  1. The Real Life of Maria Irene Fornes
  2. Bonnie Marranca
  3. pp. 29-34
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  1. BAM’s Next Wave — I: Making Waves Together
  2. Gerald Rabkin
  3. pp. 35-47
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  1. Lee Breuer: On “The Gospel of Colonus”
  2. Gerald Rabkin
  3. pp. 48-51
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  1. BAM’s Next Wave — II: The Avant-Garde in the Marketplace. What Next?
  2. Gautam Dasgupta
  3. pp. 52-58
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  1. Handicapping the Beaumont Stakes
  2. Saraleigh Carney
  3. pp. 59-67
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  1. La Tragédie De Carmen by Marius Constant, Jean-Claude Carriére, Peter Brook (review)
  2. William O. Beeman
  3. pp. 68-72
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  1. The Screens by Jean Genet (review)
  2. Philippa Wehle
  3. pp. 72-74
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  1. Patrice Chéreau on “The Screens”
  2. Arthur Holmberg, Patrice Chéreau
  3. pp. 75-77
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  1. Alcina by Handel (review)
  2. William O. Beeman
  3. pp. 81-83
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  1. The Seagull by Anton Chekhov (review)
  2. Gautam Dasgupta
  3. pp. 83-86
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  1. Protest from a Professional Liar
  2. Roy Brocksmith
  3. pp. 87-96
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  1. Innovative Design on European Stages: From Salzburg to Glasgow
  2. Glenn Loney
  3. pp. 97-112
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  1. Nikolay Evreinov’s “Inspector General”
  2. Laurence Senelick
  3. pp. 113-118
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  1. The Inspector General: A Directorial Buffoonery in Five Interpretations of One Excerpt
  2. Nikolay Evreinov, Laurence Senelick
  3. pp. 119-133
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  1. Rehearsals of Revolution by Rustom Bharucha (review)
  2. Alisa Solomon
  3. pp. 134-135
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  1. Celebration: Studies in Festivity and Ritual ed. by Victor Turner (review)
  2. John Fiscella
  3. pp. 135-136
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