1. PAJ, A Personal History
  2. Bonnie Marranca
  3. pp. 23-42
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  1. Writing for a Political Theatre
  2. Eric Bentley
  3. pp. 45-58
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  1. The Avant-Garde Industry
  2. Daryl Chin
  3. pp. 59-75
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  1. History, Cultural Policy, and International Exchange in the Performing Arts
  2. Stanley Katz
  3. pp. 76-88
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  1. Yogi’s Out, Billy’s In: The Great American Theatre Ballgame
  2. Christopher Martin
  3. pp. 91-98
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  1. When the Center Does Not Hold: Regional Theatre, Decentralization, and Community
  2. Robert Marx
  3. pp. 99-105
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  1. Southern Theatre and the Paradox of Progress
  2. James Flannery
  3. pp. 106-116
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  1. Problems of Trans-Atlantic Traffic: German Drama in the American Theatre
  2. Carl Weber
  3. pp. 117-130
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  1. Theatre Criticism: The Elusive Object, the Fading Craft
  2. Gordon Rogoff
  3. pp. 133-141
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  1. Is There a Text on This Stage?: Theatre / Authorship / Interpretation
  2. Gerald Rabkin
  3. pp. 142-159
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  1. ‘the play’s the thing’ —a polemic—
  2. Colette Brooks
  3. pp. 160-162
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  1. Presence and the Revenge of Writing: Re-thinking Theatre After Derrida
  2. Elinor Fuchs
  3. pp. 163-173
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  1. Theatrical Dance: How Do We Know It When We See It If We Can’t Define It
  2. Roger Copeland
  3. pp. 174-184
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  1. Women/Text/Theatre
  2. Gayle Austin
  3. pp. 185-190
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  1. Odd, Anonymous Needs: The Audience in a Dramatized Society
  2. Herbert Blau
  3. pp. 199-212
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  1. The Pre-Recorded Audience in Two Dimensions
  2. Adam Parfrey
  3. pp. 213-218
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  1. Postmodern Performance and Technology
  2. Johannes Birringer
  3. pp. 221-233
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  1. Bones Have Their Fates
  2. Greg Whitehead
  3. pp. 234-236
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  1. From Science to Theatre: Dramas of Speculative Thought
  2. Gautam Dasgupta
  3. pp. 237-246
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  1. The War in Heaven (Angel’s Monologue)
  2. Joseph Chaikin, Sam Shepard
  3. pp. 249-262
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  1. The Art of Performance by Jorge Glusberg (review)
  2. Daryl Chin
  3. pp. 265-266
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  1. Great Reckonings in Little Rooms: On the Phenomenology of Theater by Bert O. States (review)
  2. William Coco
  3. pp. 266-267
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  1. Joseph Chaikin: Exploring at the Boundaries of Theatre by Eileen Blumenthal (review)
  2. Gerald Rabkin
  3. pp. 267-268
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  1. American Set Design by Arnold Aronson (review)
  2. Alisa Solomon
  3. p. 269
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  1. Poor Dancer’s Almanac: A Survival Manual for Choreographers, Managers and Dancers by Dance Theatre (review)
  2. John Fiscella
  3. pp. 269-270
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  1. Why We Need Broadway: Some Notes
  2. Stanley Kauffmann
  3. pp. 193-198
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