restricted access   Volume 10, Number 2, 1986 (PAJ 29)

Table of Contents


p. 3


New Directions

p. 4

Body Brain Performance

p. 5


Overexposure: Les Immatériaux

pp. 6-11

Biomusic and the Brain: An Interview with David Rosenboom

pp. 12-16


pp. 17-25

Body, Brain and Culture

pp. 26-34

The Rites of Women

pp. 35-42

Constructing the Spectator: Reception, Context, and Address in Lesbian Performance

pp. 43-52

George Bernard Shaw: Twentieth-Century Victorian

pp. 54-61

From the Barracks to the Market

pp. 62-68

Performance Notes

Figaro Gets a Divorce by Ödön von Horváth (review)

pp. 69-72

Crime and Punishment by Andrzej Wajda, and: The Robbers by Friedrich Schiller, and: Cosi fan tutte by Lorenzo da Ponte (review)

pp. 72-81

Ké Voi? by Enzo Cormann (review)

pp. 81-83

Divinas palabras by Ramón del Valle-Inclán, and: El concierto de San Ovidio by Antonio Buero-Vallejo (review)

pp. 84-87

Vienna: Lusthaus by Charles Mee, Jr. (review)

pp. 88-90

Triptych: Isak Dinesen in Three Parts

pp. 91-106

The Revenge of Truth: A Marionette Comedy

pp. 107-126

Books and Company

Selected Recent Anthologies of Plays

pp. 127-130


pp. 131-132