1. Correction
  2. p. 3
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  1. New Directions
  2. The Editors
  3. p. 4
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  1. Body Brain Performance
  2. p. 5
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  1. Overexposure: Les Immatériaux
  2. Johannes Birringer
  3. pp. 6-11
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  1. Biomusic and the Brain: An Interview with David Rosenboom
  2. David Rosenboom, David Paul
  3. pp. 12-16
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  1. Dedthtre
  2. Hollis Huston
  3. pp. 17-25
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  1. Body, Brain and Culture
  2. Victor Turner
  3. pp. 26-34
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  1. The Rites of Women
  2. Erika Munk
  3. pp. 35-42
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  1. Constructing the Spectator: Reception, Context, and Address in Lesbian Performance
  2. Kate Davy
  3. pp. 43-52
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  1. George Bernard Shaw: Twentieth-Century Victorian
  2. Stanley Kauffmann
  3. pp. 54-61
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  1. From the Barracks to the Market
  2. Vassily Aksyonov, Yury Ljubimov
  3. pp. 62-68
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  1. Figaro Gets a Divorce by Ödön von Horváth (review)
  2. Don Shewey
  3. pp. 69-72
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  1. Crime and Punishment by Andrzej Wajda, and: The Robbers by Friedrich Schiller, and: Cosi fan tutte by Lorenzo da Ponte (review)
  2. Marc Robinson
  3. pp. 72-81
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  1. Ké Voi? by Enzo Cormann (review)
  2. Rosette Lamont
  3. pp. 81-83
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  1. Divinas palabras by Ramón del Valle-Inclán, and: El concierto de San Ovidio by Antonio Buero-Vallejo (review)
  2. Marion Peter Holt
  3. pp. 84-87
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  1. Vienna: Lusthaus by Charles Mee, Jr. (review)
  2. Carol Martin
  3. pp. 88-90
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  1. Triptych: Isak Dinesen in Three Parts
  2. Bonnie Marranca
  3. pp. 91-106
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  1. The Revenge of Truth: A Marionette Comedy
  2. Isak Dinesen, Donald Hannah, Bonnie Marranca
  3. pp. 107-126
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  1. Selected Recent Anthologies of Plays
  2. Lou Lapin
  3. pp. 127-130
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  1. Backtalk
  2. Maurya Wickstrom
  3. pp. 131-132
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