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In this Issue

Table of Contents

Editorial

  1. Editorial: The New Europe, the New World
  2. The Editors
  3. pp. 4-6
  4. restricted access

Samuel Beckett: 1903-1989

  1. Stirring Still
  2. Gautam Dasgupta
  3. pp. 8-10
  4. restricted access
  1. The Less Said
  2. Herbert Blau
  3. pp. 11-13
  4. restricted access

The New Europe

  1. Poetics of the Revolution: Some Notes From Poland
  2. Elzbieta Matynia
  3. pp. 14-20
  4. restricted access
  1. Applause for a Donkey: An interview with Krzysztof Zanussi
  2. Zdzislaw Pietrasik, Krzysztof Zanussi, Elzbieta Matynia, Richard Adams
  3. pp. 21-28
  4. restricted access
  1. Heiner Müller in East Berlin
  2. Carl Weber
  3. pp. 29-35
  4. restricted access
  1. A Playwright for a President: the story of moral renewal
  2. Frantisek Deak
  3. pp. 36-44
  4. restricted access
  1. Protest: A Play
  2. Vaclav Havel, Vera Blackwell
  3. pp. 45-65
  4. restricted access
  1. The Century Turning: International Events
  2. Bonnie Marranca
  3. pp. 66-74
  4. restricted access
  1. The Universal Solvent: Meditations on the Marriage of World Cultures
  2. Frederick Turner
  3. pp. 75-98
  4. restricted access
  1. The Forensic Theatre: memory plays for the post-mortem condition
  2. Gregory Whitehead
  3. pp. 99-109
  4. restricted access
  1. Orgy Salon: Aristocracy and Pornographic Theatre in Pre-Revolutionary Paris
  2. Karl Toepfer
  3. pp. 110-136
  4. restricted access
  1. Pop Pop Pop (New) Music
  2. Daryl Chin
  3. pp. 137-143
  4. restricted access
  1. Notes on the Last Cold War Theatertreffen
  2. Jonathan Kalb
  3. pp. 144-154
  4. restricted access
  1. Education for the Theatre
  2. Gordon M. Wickstrom
  3. pp. 155-158
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Book Reviews

  1. Postmodern Brecht: A Re-presentation by Elizabeth Wright (review)
  2. Elinor Fuchs
  3. pp. 159-160
  4. restricted access
  1. Russian and Soviet Theater 1905–1932 by Konstantin Rudnitsky (review)
  2. Laurence Senelick
  3. pp. 160-162
  4. restricted access
  1. The Grand Guignol: Theatre of Fear and Terror by Mel Gordon (review)
  2. Mead Hunter
  3. pp. 162-163
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  1. The Feminist Spectator as Critic by Jill Dolan (review)
  2. Una Chaudhuri
  3. pp. 163-165
  4. restricted access
  1. Text and Supertext in Ibsen’s Drama by Brian Johnston (review)
  2. Walter Bilderback
  3. pp. 165-166
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  1. Plays by Women: An International Anthology (review)
  2. Liza Henderson
  3. pp. 166-168
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