1. Contra Sartre: El marxismo estructuralista de López Aranguren y los límites de la Transición
  2. Antonio Gómez L-Quiñones
  3. pp. 17-36
  4. DOI: 10.1353/rhm.2014.0004
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  1. Poesía y juramento: los monólogos dramáticos de Álvaro Cunqueiro
  2. María Do Cebreiro Rábade Villar
  3. pp. 37-53
  4. DOI: 10.1353/rhm.2014.0006
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  1. Visualizing the Passion in Andrés de Li’s Summa de paciencia
  2. Isidro J. Rivera
  3. pp. 55-72
  4. DOI: 10.1353/rhm.2014.0008
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  1. Toward an Aesthetics of the Abject: Reimagining the Sensory Body in Arguedas’s Los ríos profundos
  2. Karen Spira
  3. pp. 73-89
  4. DOI: 10.1353/rhm.2014.0009
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  1. Manuel Maples Arce, Salvador Novo, and the Origin of Mexican Vanguard Autobiographies
  2. Ann Warner-Ault
  3. pp. 91-108
  4. DOI: 10.1353/rhm.2014.0000
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  1. Relics and Erotics: Cuban Art after the Revolution
  2. Abigail McEwen
  3. pp. 109-116
  4. DOI: 10.1353/rhm.2014.0001
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  1. Machado de Assis: Multiracial Identity and the Brazilian Novelist by G. Reginald Daniel (review)
  2. Pedro Meira Monteiro
  3. pp. 117-119
  4. DOI: 10.1353/rhm.2014.0003
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  1. Modernism and the New Spain: Britain, Cosmopolitan Europe, and Literary History by Gayle Rogers (review)
  2. José M. Del Pino
  3. pp. 120-123
  4. DOI: 10.1353/rhm.2014.0005
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  1. Writing Mexican History by Eric Van Young (review)
  2. Mónica Díaz
  3. pp. 124-126
  4. DOI: 10.1353/rhm.2014.0007
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