1. (De)Valuing the Crown in Tamburlaine, Dido Queen of Carthage, and Edward II
  2. C. K. Preedy
  3. pp. 259-277
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  1. Sodomy and Stage Directions in Christopher Marlowe’s Edward(s) II
  2. Christopher Shirley
  3. pp. 279-296
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  1. Thomas Nashe, The Vnfortvnate Traveller, and Love’s Labour’s Lost
  2. Maurice Hunt
  3. pp. 297-314
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  1. Jews, Scots, and Pigs in The Merchant of Venice
  2. David B. Goldstein
  3. pp. 315-348
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  1. Opportunistic Portia as Fortuna in Shakespeare’s Merchant of Venice
  2. Ellen M. Caldwell
  3. pp. 349-373
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  1. Gender, Genre, and Elizabeth’s Princely Surrogates in Henry IV and Henry V
  2. Meghan C. Andrews
  3. pp. 375-399
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  1. The Experience of Ceremony in Henry V
  2. Matthew J Smith
  3. pp. 401-421
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  1. Corporate Nationalism in Thomas Dekker’s The Shoemaker’s Holiday
  2. Christopher L. Morrow
  3. pp. 423-454
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  1. Persia and Kingship in William Cartwright’s The Royall Slave (1636)
  2. Chloë Houston
  3. pp. 455-473
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  1. Recent Studies in Tudor and Stuart Drama
  2. Julia Reinhard Lupton
  3. pp. 475-514
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  1. In Memoriam
  2. Logan D. Browning
  3. p. vi
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  1. Books Received
  2. pp. 515-526
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