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  Volume 48, Number 1 & 2, Spring & Summer 2014

Table of Contents

Special Issue: The Audience as Player: Interactive Theater over the Years


Introduction: “What Have You Learned Today?”

pp. 1-11 | DOI: 10.1353/cdr.2014.0008

“Oh My God, Audience Participation!”: Some Twenty-First-Century Reflections

pp. 13-38 | DOI: 10.1353/cdr.2014.0005

Bearing Witness and Taking Action: Audiences and Morality in Renaissance Tragedy and Activist Street Theater

pp. 39-57 | DOI: 10.1353/cdr.2014.0003

School for Democracy: Interactive Theater in Soviet and Post-Soviet Russia

pp. 59-73 | DOI: 10.1353/cdr.2014.0001

On Aggro Performance: Audience Participation and the Dystopian Response to the Living Theatre’s Paradise Now

pp. 75-92 | DOI: 10.1353/cdr.2014.0011

Precarious Presence in Contemporary Theater

pp. 93-102 | DOI: 10.1353/cdr.2014.0009

“It’s Crazy, That Was Us”: The Implicated and Compliant Audience in The Boys of Foley Street

pp. 103-116 | DOI: 10.1353/cdr.2014.0007

The Tragic Spectator: Pig Iron Theatre Company’s Pay Up

pp. 117-134 | DOI: 10.1353/cdr.2014.0006

Dreamers and Insomniacs: Audiences in Sleep No More and The Night Circus

pp. 135-154 | DOI: 10.1353/cdr.2014.0004

Clean Up on Aisle Six: Closing the Gap between Spectator and Performance in Uli Jaeckle’s Discounter

pp. 155-168 | DOI: 10.1353/cdr.2014.0002

The Interactive Theater of Video Games: The Gamer as Playwright, Director, and Actor

pp. 169-186 | DOI: 10.1353/cdr.2014.0000


pp. 187-189 | DOI: 10.1353/cdr.2014.0010

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