1. From the Mast-Head
  2. Samuel Otter
  3. pp. 1-3
  4. DOI: 10.1353/lvn.2014.0008
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  1. A Double Prelude on Melville’s Moby-Dick: “Etymology” & “Extracts”
  2. Athanasius C. Christodoulou
  3. pp. 5-21
  4. DOI: 10.1353/lvn.2014.0011
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  1. The Florence
  2. John M. Gretchko
  3. pp. 22-32
  4. DOI: 10.1353/lvn.2014.0014
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  1. Two Poems for the All-Nighters at the Moby-Dick Marathon
  2. Nancy Jasper
  3. p. 34
  4. DOI: 10.1353/lvn.2014.0000
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  1. Melville and the Wall of the Modern Age ed. by Arimichi Makino (review)
  2. A. Robert Lee
  3. pp. 40-43
  4. DOI: 10.1353/lvn.2014.0005
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  1. Whipscars and Tattoos: The Last of the Mohicans, Moby-Dick, and the Maori by Geoffrey Sanborn (review)
  2. Alex Calder
  3. pp. 44-49
  4. DOI: 10.1353/lvn.2014.0007
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  1. All Astir
  2. Mary K. Bercaw Edwards
  3. pp. 51-58
  4. DOI: 10.1353/lvn.2014.0010
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  1. How Billy Budd Grew Black and Beautiful: Versions of Melville in the Digital Age
  2. John Bryant
  3. pp. 60-86
  4. DOI: 10.1353/lvn.2014.0013
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  1. “That towering bulge of pure white”: Whitman, Melville, the Capitol Dome, and Black America
  2. Ed Folsom
  3. pp. 87-120
  4. DOI: 10.1353/lvn.2014.0016
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  1. Walt Whitman and Civil War Washington
  2. Kenneth M. Price
  3. pp. 121-134
  4. DOI: 10.1353/lvn.2014.0002
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  1. Melville and the Worlds of Civil War Poetry
  2. Elizabeth Renker
  3. pp. 135-152
  4. DOI: 10.1353/lvn.2014.0004
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  1. Melville and Whitman, Digitally Mediated
  2. Hester Blum
  3. pp. 154-156
  4. DOI: 10.1353/lvn.2014.0006
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  1. Melvilleans and Whitmanians in Washington, DC
  2. Martina Pfeiler
  3. pp. 157-159
  4. DOI: 10.1353/lvn.2014.0009
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  1. Battle-Pieces and Aspects of the Conference on Melville and Whitman in Washington
  2. Paul M. Wright
  3. pp. 160-163
  4. DOI: 10.1353/lvn.2014.0012
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  1. Poetry in Motion
  2. Tomoyuki Zettsu
  3. pp. 164-167
  4. DOI: 10.1353/lvn.2014.0015
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  1. DC Photo Gallery
  2. pp. 168-171
  3. DOI: 10.1353/lvn.2014.0001
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