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In this Issue

Table of Contents

  1. Acts of Stillness: Statues, Performativity, and Passive Resistance
  2. David J. Getsy
  3. pp. 1-20
  4. DOI: https://doi.org/10.13110/criticism.56.1.0001
  5. restricted access
  1. Tom Ford and His Kind
  2. Lee Wallace
  3. pp. 21-44
  4. DOI: https://doi.org/10.13110/criticism.56.1.0021
  5. restricted access
  1. Frank O’Hara and the Poetics of the Digital
  2. Todd Tietchen
  3. pp. 45-61
  4. DOI: https://doi.org/10.13110/criticism.56.1.0045
  5. restricted access
  1. Face Values: Optics as Ethics in Joseph Conrad’s The Secret Agent
  2. Rochelle L. Rives
  3. pp. 89-117
  4. DOI: https://doi.org/10.13110/criticism.56.1.0089
  5. restricted access

Reviews

  1. The Ghost of the Universal Spectator
  2. Nina Sosna
  3. pp. 119-127
  4. DOI: https://doi.org/10.13110/criticism.56.1.0119
  5. restricted access
  1. From Identities to Types
  2. Will Stockton
  3. pp. 129-133
  4. DOI: https://doi.org/10.13110/criticism.56.1.0129
  5. restricted access
  1. Keeping Literature Impure
  2. John R. Reed
  3. pp. 135-137
  4. DOI: https://doi.org/10.13110/criticism.56.1.0135
  5. restricted access
  1. How Nineteenth-Century American Literature got its Nerve Back
  2. Donald E. Pease
  3. pp. 139-146
  4. DOI: https://doi.org/10.13110/criticism.56.1.0139
  5. restricted access
  1. Life at the 49th Parallel: Media, Space, and the Liminal Perspective
  2. Andy Engel
  3. pp. 147-151
  4. DOI: https://doi.org/10.13110/criticism.56.1.0147
  5. restricted access