1. Préface
  2. Dawn M. Cornelio
  3. pp. 7-8
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  1. The Case for the Courtesan Novel Sub-Genre: Counter-Discourse and Intertextuality in de Chabrillan, de la Bigne, and de Pougy
  2. Courtney A. Sullivan
  3. pp. 9-26
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  1. Less is Gore: Graphic Violence in the Fiction of Judith Gautier
  2. Juliana Starr
  3. pp. 27-40
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  1. Revisiting Isabelle Eberhardt’s Lettres et Journaliers
  2. Marlène Barsoum
  3. pp. 41-55
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  1. Alcestes and Her Sisters: Feminism, Sorority and Tragedy in Yourcenar and Simone’s Alcestes
  2. Keith A. Poniewaz
  3. pp. 56-67
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  1. « Vite elle se referme » : L’opacité dans Le Livre d’Emma de Marie-Célie Agnant
  2. Lesley S. Curtis
  3. pp. 68-78
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  1. ph-auto•bio•graphie : Ecrire La Vie Par Des Photos (Annie Ernaux)
  2. Michèle Bacholle-Bošković
  3. pp. 79-93
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  1. Entretien avec Yamina Benguigui. Retour sur Mémoires d’immigrés: l’heritage maghrébin
  2. Sarah E. Mosher
  3. pp. 94-102
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  1. Women, Genre and Circumstance: Essays in Memory of Elizabeth Fallaize ed. by by Margaret Atack, et al. (review)
  2. Melanie Collado
  3. pp. 103-104
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  1. La tradition des romans de femmes, XVIII-XIXe siècles ed. by Catherine Mariette-Clot, Damien Zanone (review)
  2. Erin E. Edgington
  3. pp. 106-107
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  1. Screens and Veils: Maghrebi Women’s Cinema by Florence Martin (review)
  2. Névine El Nossery
  3. pp. 107-109
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  1. Germaine de Staël: Forging a Politics of Mediation ed. by Karyna Szmurlo (review)
  2. Eileen M. Angelini
  3. pp. 109-110
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  1. A Life of Poems, Poems of a Life. Comtesse Anna de Noailles (1876–1933) by Anna de Noailles (review)
  2. Aaron Prevots
  3. pp. 110-111
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  1. Vérité et amour by Claire Legendre (review)
  2. Michèle A. Schaal
  3. pp. 111-113
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  1. Notes on Contributors
  2. pp. 114-115
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