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Table of Contents

  1. Postsecularism in Scandinavian Crime Fiction
  2. Kim Toft Hansen
  3. pp. 1-28
  4. DOI: https://doi.org/10.1353/scd.2014.0005
  5. restricted access
  1. Sworn Sisterhood?: On the (Near-) Absence of Female Friendship from the Íslendingasǫgur
  2. Natalie M. Van Deusen
  3. pp. 52-71
  4. DOI: https://doi.org/10.1353/scd.2014.0009
  5. restricted access
  1. The Wilder the Starting Point: Some Critical Remarks to Michael Meyer’s Ibsen: A Biography
  2. Jon Nygaard
  3. pp. 72-97
  4. DOI: https://doi.org/10.1353/scd.2014.0011
  5. restricted access
  1. Icons of Danish Modernity: Georg Brandes and Asta Nielsen by Julie K. Allen (review)
  2. Neil Christian Pages
  3. pp. 102-105
  4. DOI: https://doi.org/10.1353/scd.2014.0002
  5. restricted access
  1. Norsk filmhistorie: spillefilmen 1911–2011 by Gunnar Iversen (review)
  2. Kyle A. Korynta
  3. pp. 109-113
  4. DOI: https://doi.org/10.1353/scd.2014.0006
  5. restricted access
  1. Re-Writing the Script: Gender and Community in Elin Wägner by Helena Forsås-Scott (review)
  2. Ia Dübois
  3. pp. 116-120
  4. DOI: https://doi.org/10.1353/scd.2014.0010
  5. restricted access
  1. Nummisuutarit: komedia viidessä näytöksessä by Aleksis Kivi, and: Kirjeet by Aleksis Kivi (review)
  2. Wade Hollingshaus
  3. pp. 120-124
  4. DOI: https://doi.org/10.1353/scd.2014.0012
  5. restricted access
  1. Report of the President of the Society for the Advancement of Scandinavian Study
  2. Thomas DuBois
  3. pp. 125-128
  4. DOI: https://doi.org/10.1353/scd.2014.0001
  5. restricted access
  1. Financial Report of the Secretary-Treasurer for 2012
  2. Richard L. Jensen
  3. pp. 129-131
  4. DOI: https://doi.org/10.1353/scd.2014.0003
  5. restricted access