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  Volume 31, Number 1, Spring 2014

Table of Contents

From the Editor

p. v
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In Memoriam

Beate Sirota Gordon: Producing Performance at the Asia Society

pp. 1-16
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Play

Chong Wishing’s Yakiniku Dragon 焼き肉ドラゴン: A Portrait of the Zainichi Korean-Japanese Experience

pp. 17-102
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Articles

“Democratic Kabuki” for a “Democratic Japan”: 1945–1946

pp. 103-125
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Innovation in : Matsui Akira Continues a Tradition of Change

pp. 126-152
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Socialist Realism and New Subjectivities: Modern Acting in Gao Xingjian’s Cold Theatre

pp. 153-178
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Mutual Illumination: The Xinggan Dramas and the Fanjiulou Ritual of Yongkang, Zhejiang

pp. 179-203
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Forum

Pure Love and Beyond: Suzuki Tadashi’s Use of Taiwanese Popular Music in La Dame aux Camélias (2011)

pp. 204-227
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Suzuki Tadashi’s La Dame aux Camélias in Taiwan

pp. 228-241
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Emerging Scholars' Papers

River! River! River! A Minjian Eco-Theatre

pp. 242-269
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Tibetan Opera in and outside the Tibet Autonomous Region

pp. 270-278
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Report

The Legend of Apsara Mera: Princess Norodom Buppha Devi’s Choreography for the Royal Ballet of Cambodia

pp. 279-289
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Interview

Reconstructing Memory, Constructing the Future: An Interview with PM Toh

pp. 290-309
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Performance Review

Karnnaparithyagam (The Abandoning of Karna) by Sadanam K. Harikumaran (review)

pp. 310-314
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Film Reviews

Tanvir ka Safarnama (Tanvir’s Travelogue) directed by Ranjan Kamath (review)

pp. 315-318
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Out! Loud! Directed by Betty Bernhard (review)

pp. 318-321
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Book Reviews

Imaging Dance: Visual Representations of Dancers and Dancing Edited by Barbara Sparti and Judy Van Zile (review)

pp. 322-324
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Moni Mekhala and Ream Eyso Edited by Prumsodun Ok (review)

pp. 324-326
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Opera and the City: The Politics of Culture in Beijing, 1770–1900 by Andrea S. Goldman (review)

pp. 327-329
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Kinesthetic City: Dance and Movement in Chinese Urban Spaces by SanSan Kwan (review)

pp. 329-332
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Strange Eventful Histories: Identity, Performance, and Xu Wei’s Four Cries of a Gibbon by Shiamin Kwa (review)

pp. 332-334
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Andha Yug: The Age of Darkness by Dharamvir Bharati (review)

pp. 334-336
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Hindi Theatre in Kolkata: Shyamanand Jalan and his Times Edited by Pratibha Agarwal and Samik Bandyopadhyay (review)

pp. 336-338
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Singing Emptiness: Kumar Gandharva Performs the Poetry of Kabir by Linda Hess (review)

pp. 338-339
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Eternal Performance: Ta’ziyeh and Other Shiite Rituals Edited by Peter Chelkowski (review)

pp. 340-342
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Stars of the Tokyo Stage: Natori Shunsen’s Kabuki Actor Prints by Lucie Folan (review)

pp. 343-345
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Inexorable Modernity: Japan’s Grappling with Modernity in the Arts Edited by Hiroshi Nara (review)

pp. 346-350
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Crucible Bodies: Postwar Japanese Performance from Brecht to the New Millennium by Tadashi Uchino (review)

pp. 350-352
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Color Insert

pp. a-f
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