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Browse Book and Journal Content on Project MUSE

  Volume 47, Number 1, Spring 2014

Table of Contents


SIDEWAYS!: Navigating the Material(ity) of Print Culture

pp. 1-30 | DOI: 10.1353/vpr.2014.0011

2013 VanArsdel Prize Essay

Readers and the Steamship Press: Home News for India, China, and the Colonies and the Serialization of Arthur Griffiths’s Fast and Loose, 1883–84

pp. 31-49 | DOI: 10.1353/vpr.2014.0002

Idle Employment and Dickens’s Uncommercial Ruse: The Narratorial Entity in “The Uncommercial Traveller”

pp. 50-65 | DOI: 10.1353/vpr.2014.0004

The Role of Visual Appearance in Punch’s Early Victorian Satires on Religion

pp. 66-86 | DOI: 10.1353/vpr.2014.0006

Sensation and the Fourth Estate: The Times and the Yelverton Bigamy Trials

pp. 87-104 | DOI: 10.1353/vpr.2014.0008

Bernard Heldmann and the Union Jack, 1880–83: The Making of a Professional Author

pp. 105-142 | DOI: 10.1353/vpr.2014.0010

Book Reviews

George Eliot in Context ed. by Margaret Harris (review)

pp. 143-144 | DOI: 10.1353/vpr.2014.0009

Perceptions of the Press in Nineteenth-Century British Periodicals: A Bibliography by E. M Palmegiano (review)

pp. 145-146 | DOI: 10.1353/vpr.2014.0007

Comedy, Caricature and the Social Order, 1820–50 by Brian Maidment (review)

pp. 146-150 | DOI: 10.1353/vpr.2014.0005

Literary Celebrity, Gender, and Victorian Authorship, 1850–1914 by Alexis Easley (review)

pp. 150-152 | DOI: 10.1353/vpr.2014.0003

Femininity, Crime and Self-Defence in Victorian Literature and Society: From Dagger-Fans to Suffragettes by Emelyne Godfrey (review)

pp. 152-153 | DOI: 10.1353/vpr.2014.0001



pp. 154-155 | DOI: 10.1353/vpr.2014.0000



pp. 156-157 | DOI: 10.1353/vpr.2014.0012