1. SIDEWAYS!: Navigating the Material(ity) of Print Culture
  2. Linda K. Hughes
  3. pp. 1-30
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  1. Idle Employment and Dickens’s Uncommercial Ruse: The Narratorial Entity in “The Uncommercial Traveller”
  2. Jasper Schelstraete
  3. pp. 50-65
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  1. The Role of Visual Appearance in Punch’s Early Victorian Satires on Religion
  2. Dominic Janes
  3. pp. 66-86
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  1. Sensation and the Fourth Estate: The Times and the Yelverton Bigamy Trials
  2. Lauren Harmsen Kiehna
  3. pp. 87-104
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  1. Bernard Heldmann and the Union Jack, 1880–83: The Making of a Professional Author
  2. Minna Vuohelainen
  3. pp. 105-142
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  1. George Eliot in Context ed. by Margaret Harris (review)
  2. Constance M. Fulmer
  3. pp. 143-144
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  1. Perceptions of the Press in Nineteenth-Century British Periodicals: A Bibliography by E. M Palmegiano (review)
  2. Anne Humpherys
  3. pp. 145-146
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  1. Comedy, Caricature and the Social Order, 1820–50 by Brian Maidment (review)
  2. Patrick Leary
  3. pp. 146-150
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  1. Literary Celebrity, Gender, and Victorian Authorship, 1850–1914 by Alexis Easley (review)
  2. Katherine Malone
  3. pp. 150-152
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  1. Femininity, Crime and Self-Defence in Victorian Literature and Society: From Dagger-Fans to Suffragettes by Emelyne Godfrey (review)
  2. Caroline Reitz
  3. pp. 152-153
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  1. Biographies
  2. pp. 154-155
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  1. Endnotes
  2. pp. 156-157
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