restricted access   Volume 45, Number 3, December 2013

Table of Contents

Editor's Note

Taking (A)part: Investigations into Participation

pp. 1-2


Inside/Beside Dance Studies: A Conversation Mellon Dance Studies in/and the Humanities

pp. 3-28


Current Trends in Contemporary Choreography: A Political Critique

pp. 29-52

The Muse of Virtuosity: Desmond Richardson, Race, and Choreographic Falsetto

pp. 53-74

Embodied Transformations in Neo-Burlesque Striptease

pp. 75-90

Between History and Historiography: The Origins of Classical Kuchipudi Dance

pp. 91-110

Dance, Interactive Technology, and the Device Paradigm

pp. 111-124

The Great Migration: Los Angeles Salsa Speculations and the Performance of Latinidad

pp. 125-136

Review Essay

Mime, Music and Drama on the Eighteenth-Century Stage by Edward Nye, and: Lettres sur la Danse, sur les Ballets et les Arts (1803) by Jean-Georges Noverre (review)

pp. 137-142

Book Reviews

Martha Graham in Love and War: The Life in the Work by Mark Franko (review)

pp. 143-150

Dancing Naturally: Nature, Neo-classicism and Modernity in Early Twentieth-Century Dance edited by Alexandra Carter and Rachel Fensham (review)

pp. 150-152

Contemporary Dance in Cuba: Técnica Cubana as Revolutionary Movement by Suki John (review)

pp. 152-156

Dance on Its Own Terms: Histories and Methodologies edited by Melanie Bales and Karen Eliot (review)

pp. 156-160

Dance and Politics edited by Alexandra Kolb (review)

pp. 160-163

Directing the Dance Legacy of Doris Humphrey: The Creative Impulse of Reconstruction by Lesley Main (review)

pp. 163-166

Books Received

pp. 167-168